Catalogue > By Keyword > memory
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No Nudity, Ducks or Amateur Wrestling OR
What happens when you give a live artist the keys to the library?
Death is Certain video version
Thirty-six mini scenarios of torture and execution which transform the small immaculate bodies of fruit into figures that seem to increasingly identify themselves with human beings.
Death is Certain performance version
Thirty-six mini scenarios of torture and execution which transform the small immaculate bodies of fruit into figures that seem to increasingly identify themselves with human beings.
Anniversary—an act of memory
Publication on solo, collective and multi-lingual recitations from memory of the Universal Declaration of Human Rights.
Part of the Library of Performing Rights (LPR) (P3041).
Baseado em Fatos Reais
The dancers develop movements in response to a photo – creating in real time.
Part of the Library of Performing Rights (LPR) (P3041).
The Radical in Performance: Between Brecht and Baudrillard
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
XEN: Migration Labor and Identity
Catalogue published in conjunction with the exhibition by Yongsoon Min ;13 August to 12 September 2004 at the SSamzie Space Galleries. In English and Korean.
Part of the Library of Performing Rights (LPR) (P3041).
Documenting Performance
The first book to provide a collection of key writings about the process of documenting performance, focused not on questions of liveness or the artistic qualities of documents, but rather on the professional approaches to recovering, preserving and disseminating knowledge of live performance.
Bodily Remembrances: the performance of memory in recent works by Amanda Coogan
Provides a feminist reading of Yellow (2008) and How to explainthe sea to an uneaten potato (2008) in order to explore how her performances use corporeal strategies to engage with memory.
Art AIDS America
The first comprehensive overview and reconsideration of 30 years of art made in response to the AIDS epidemic in the United States. This book foregrounds the role of HIV/AIDS in shifting the development of American art away from the cool conceptual foundations of postmodernism and toward a new, more insistently political and autobiographical voice.
Published on the occasion of the exhibition at the Tacoma Art Museum (October 2015 – January 2016)