Catalogue > By Keyword > Meredith Monk
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From Acting to Performance: Essays in Modernism
Surveys the changes in acting and performance during the crucial transition from the ecstatic theatre of the 1960s to the ironic postmodernism of the 1980s.
Ecologies of Theater: Essays at the Century Turning
Elaborates a new perspective on performance that links ecology and aesthetics.
On Innovative Performance(s): Three Decades of Recollections on Alternative Theater
A collection of essays from the leading avant-garde critic of the era focuses on individual performances and performers, providing a unique critical record of their work and of the movement.
Performance by Artists
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
The Amazing Decade: Women and Performance Art in America, 1970-1980
A detailed study of the role women artists played in the develpment and expansion of performance art
The Knowing Body: The Artist as Storyteller in Contemporary Performance
Publication delving into the performance art philosophies of Meredith Monk, Barbara Dilley, Ping Chong, and Spalding Gray as strategies for healing and radical acts
Performance Artists Talking in the Eighties
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Performance Histories
Site-Specific Art; Performance, Place and Documentation
Charts the development of an experimental art form in an experimental way: traces the fascinating historical antecedents of today’s installation and performance art, while also assembling a unique documentation of contemporary practice around the world.
This item is referenced in the Making Routes Study Room Guide (P1964), the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
