Catalogue > By Keyword > Michelle Browne
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Future Histories
Documentation of the 12 hour group performance in Kilmainham Gaol, Dublin in May 2016. Part of LADA Screens.
Part of the Library of Performing Rights (P3041).
PRAXIS Vol 2: The Town as Art Centre
An invitation to encounter work and thinking that is in motion. Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.
Future Histories
Programme for a 12-hour live art and video event at Kilmainham Gaol, responding to the iconic historical associations with the 1916 Rising. Curated by Niamh Murphy and Áine Phillips.
LABOUR
Documentation from a live exhibition featuring eleven leading female artists from the island of Ireland, offering unprecedented access to a huge body of live performance work by some of the most radical and exciting women artists emerging from the Irish cultural context.
Curated by Chrissie Cadman, Amanda Coogan and Helena Walsh
12:53
Performance Art in Ireland: A History
Publication devoted to the history and contemporary forms of Irish performance art in the north and south of Ireland.
Labour: A Live Exhibition, Performances by Irish Female Artists
Performance Space, London 9/2/12, The Void, Derry, 25/2/12, The LAB, Dublin, 10/2/12.
Unconditional Acceptance
Festival review. 2009.
Portfolio of Recent Work 2011
PDF collection of gallery based and site specific work by Michelle Browne. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
The Bearer
Michelle Browne: The Bearer. A 2.5 hour durational performance. Interakcje International Art Festival. Piotrkow Trybunalski, Poland. May, 2009. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
Scopophiliac (or I was just looking)
Belltable Theatre, Limerick, January 2008. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)