Catalogue > By Keyword > migration
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Resist!: How to Be an Activist in the Age of Defiance
How-to guide for people looking to make a stand. Included are solid pieces of advice, practical tips and inspirational stories from those who have already successfully stood up and made a difference.
Part of the Library of Performing Rights (P3041).
The Town is the Venue
Describes the framework in which Deveron Projects works and contributes to the social wellbeing of Huntly.
Women, the arts and globalization
The essays in Women, the Arts and Globalization demonstrate that women in the arts are rarely positioned at the centre of the art market, and the movement of women globally (as travelers or migrants, empowered artists/scholars or exiled practitioners), rarely corresponds with the dominant models of global exchange. Rather, contemporary women’s art practices provide a fascinating instance of women’s eccentric experiences of the myriad effects of globalization.
Idit Elia Nathan: Footnotes Playing Dead catalogue
Published on the occasion of the Idit Elia Natham exhibition at Standpoint Gallery, London. 16 January – 14 February 2015.
Part of the Library of Performing Rights (LPR) (P3041).
Lexicon of Tanjas Ostojić
Based upon the Lexicon of Tanjas Ostojić (2011-17), an interdisciplinary participatory research art project that included academic and artistic research, five creative workshops, a number of public events, one group performance, and two exhibitions involving more then 30 women.
The Artist's Borderpanic Compendium
A performative publication enabling a rich array of theatrical and artistic scores that can be performed at a moment’s notice.
Part of the Library of Performing Rights (LPR) (P3041).
Her Eyes Under the Bridge documentation
Documentation from the DIY 14 project, exploring how personal documents and performance can animate each other within a specific context of travelling and migration.
Going Home
Documentation (Power Point) from the DIY 12 project, a developmental exercise exploring the concept of returning to what one understands as “home”
Have You Photographed My Uterus?
A provocationinterested in exploring the meeting points between the obliteration of the possibility of physical motherhood (rupture of the body), a country disappearing in war (rupture of the land) and the reconstruction of the bio-political-history. Together these assert a new no-motherhood and post-motherland identity away from the exilic ruptures that define the end of the 20th and beginning of the 21st centuries in Europe.
Stakeholder Toolkit, Beta Version 1
Toolkit from the network of socially progressive residential artist communities.
Part of the Library of Performing Rights (LPR) (P3041).