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Precarious Lives: Waiting and Hope in Iran

Artist/Author: Shahram Khosravi | Reference: P3127 | ISBN: 978-0812248876 | Type: Publication

Attempts to reconcile the paradoxes of Iranians’ everyday life in the first decade of the twenty-first century.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Seeing Power

Artist/Author: Nato Thompson | Reference: P3135 | ISBN: 978-1612190440 | Type: Publication

A fog of information and images has flooded the world: from advertising, television, radio and film to the information glut produced by the new economy. With the rise of social networking, contemporaries, peers and friends are all suddenly selling us the ultimate product: themselves. Thompson interrogates the implications of these developments for those dedicated to socially engaged art and activism.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Delaine Le Bas: Witch Hunt

Editor: Delaine Le Bas and Hannah Firth | Reference: P3129 | ISBN: 978-1900029315

Exhibition catalogue with documentation from the installations in Cardiff, Portsmouth, Derry, London and Berlin.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Violent Borders: Refugees and the Right to Move

Artist/Author: Reece Jones | Reference: P3125 | ISBN: 978-1784784713 | Type: Publication

Jones travels the border regions of the world, documenting the billions of dollars spent on border security projects, and their dire consequences for the majority of the people in the world.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Emily Jacir: Europa

Editor: Emily Jacir and Omar Kholeif | Reference: P3123 | ISBN: 978-3791354842 | Type: Publication

This book focuses on this award-winning artist’s relationship to Europe and the Mediterranean and explores how one relates to a particular place. Published to accompany exhibitions at the Whitechapel Gallery (Sept 2015 – Jan 2016) and IMMA (Oct-Dec 2016).Part of the Study Room Guide on Live Art and Displacement (P3107).

Global Activism: Art and Conflict in the 21st Century

Editor: Peter Weibel | Reference: P3137 | ISBN: 978-0262526890 | Type: Publication

Describes and documents politically inspired art — global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space. Includes essays by leading thinkers, images of art objects, illustrations, documents, and other material as well as case studies by artists and activists.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Critical Landscapes: Art, Space, Politics

Editor: Emily Eliza Scott and Kirsten Swenson | Reference: P3132 | ISBN: 978-0520285491 | Type: Publication

One of the first comprehensive treatments of land use in contemporary art, the collection surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Nothing to Lose but Our Fear: Activism and Resistance in Dangerous Times

Artist/Author: Fiona Jeffries | Reference: P3124 | ISBN: 978-1783604142 | Type: Publication

Delivers a counter blow to the rampant culture of fear fuelled by the likes of CNN, Fox and the Daily Mail. Exploring contemporary and historical manifestations of this controlling force, the conversations in this collection go beyond just scrutinizing what constitutes rational versus irrational fear, or identifying ways in which human fears are manipulated by political players. They reveal how fear antagonizes and changes our subjectivity and, crucially, how the political use of fear has been resisted in different times and places, by different people across the globe.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Performative monuments: The rematerialisation of public art

Artist/Author: Mechtild Widrich | Reference: P3138 | ISBN: 978-0719095917 | Type: Publication

How did performance artists of the ’60s and ’70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the ’80s, ’90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.

Part of the Study Room Guide on Live Art and Displacement (P3107).

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