Catalogue > By Keyword > minority
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Performing Communities: Grassroots Ensemble Theaters Deeply Rooted in Eight U.S. Communities
Profiles established ensemble groups from inner-city Los Angeles, small-town northern California, African-American South, multicultural southern Texas, low-income central Appalachia, economically struggling South Bronx New York, and cross-continental Native America.
Part of the Library of Performing Rights (LPR) (P3041).
Caribbean life in Quebec: A pictorial history of the 60s, 70s and 80s
Presents a thematic history; every chapter explores a specific theme through pictures, offers explanations to contextualize them while offering additional bibliographic references in relation to the theme, for further research. In French and English.
Part of the Library of Performing Rights (LPR) (P3041).
Theatre at the Crossroads of Culture
Despite the problematic politics of cultural exchange in the theatre, interculturalism is not a one-sided process. Using the metaphor of the hourglass to discuss the transfer between source and target culture, Pavis asks what happens when the hourglass is turned upside down, when the `foreign’ culture speaks for itself.
Part of the Library of Performing Rights (LPR) (P3041).
Schooling the Spectator in O
On Project O’s performances at the Forest Fringe Microfestival, Progress Festival, Theatre Centre, Toronto, Canada, February 2016
Early video works
Includes: Foreign Sky, Beast of Me, Still Hear the Wound
Catalogued with a spanned DVD.
We Roma - a Critical Reader in Contemporary Art
Inquires into the contemporary moment through the lens of Roma artistic and intellectual practices, gathering knowledge from the Roma way of life.
Part of the Study Room Guide on Live Art and Displacement (P3107).
We are the Roma!: One Thousand Years of Discrimination
Nicolae, himself a Romanian Roma, gives voice to the Roma cause, offering a precise and candid look at their current situation.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Borderlands/La Frontera: The New Mestiza
Rooted in Anzaldua’s experience as a Chicana, a lesbian, an activist, and a writer, the essays and poems in this volume profoundly challenge how we think about identity. Borderelands remaps our understanding of what a “border” is, presenting it not as a simple divide between here and there, us and them, but as a psychic, social, and cultural terrain that we inhabit, and that inhabits all of us.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Disidentifications: Queers of Color and the Performance of Politics
A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
Urban Exile: Collected Writings of Harry Gamboa Jr.
Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten.
