Catalogue > By Keyword > money
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(In)Xclusion: 24 Hours of Live Art Occupation
*currently unavailable*
25th-26th February 2012
Size Matters
Notes towards a better understanding of the value, operation and potential of small visual arts organisations.
Study Room Guide: Take the Money and Run? Some Positions on Ethics, Business Sponsorship and Making
There are lots of guides for artists on how to earn a living from art or how to raise funds to support making it, but few which help us ask what the ethical implications are of the routes we choose. In this Study Room Guide, arts, social justice and environmental group Platform has selected some key texts that they think are useful in helping to position yourself ethically with regard to financing or supporting artistic practice through business or corporate sponsorship.
When Attitudes Become Form Philip Morris Becomes Sponsor
Arts sponsorship in Europe against the background of developments in America. Ethics. Policy.
Part of the Platform Study Room Guide (P1820)
Beyond experience: culture, consumer & brand
On using art to render authenticity in business. Part of the Study Room Guide (P1820).
Empty Shops Toolkit
*currently unavailable*
Aims to spread the skills, knowledge and resources needed to turn an empty shop into a pop-up shop as far and wide as possible.
The Creativity Imperative: Investing in the arts in the 21st century
New Statesman Arts Lecture 2000, Banqueting House, Whitehall, 27 June 2000.
The Smith Institute Arts Lecture: Arts in the core script - writing ourselves in
A lecture by the chief executive of Arts Council England; 12th July 2006
Bellyflop Magazine: The Money Issue
Bellyflop Magazine: The Money Issue, performance-based magazine, with contributions from Brian Lobel, Season Butler, and Miss T. Articles on the value and economy of performance, women, sex and live art, Brian Lobel’s ‘Carpe Minuta Prima’, arts funding, the necessity of performance, and performance and economic theory.
Xenon
Based on a performance art opera by artist Mikhail Karikis, this film is a poignant political allegory while being an audiovisual feast constructed around Karikis’s menacing sound, under David Bickerstaff’s direction and arresting cinematography.
Part of the Library of Performing Rights (LPR) (P3041).