This Guide explores the notion of border in relation to Live Art and the works of experimental artists that have been addressing issues around physical borders, with a special focus on the current European situation and its multiple crises. The Guide includes a theoretical introduction on the relation between Live  Art and social sciences’ border theories; a focus on how practitioners are responding to the current shifting European border landscapes through a series of interviews; and a list of resources on the theoretical notion of border, Live Art, and Europe available in LADA’s Study Room. 

Part of On Falling, a compilation of material from the Study Room Gathering Live Art and Falling hosted by Amy Sharrocks in November 2012. At the event Amy gave a presentation which was followed by an extensive group discussion. This Guide is in note form, for ease of reading, and in the hope that people can read between the lines, and see the rhythm and shape of the wide-ranging and non-stop discussion.

Part of On Falling, a compilation of material from the Study Room Gathering Live Art and Falling hosted by Amy Sharrocks in November 2012. At the event Amy gave a presentation which was followed by an extensive group discussion. This Guide is in note form, for ease of reading, and in the hope that people can read between the lines, and see the rhythm and shape of the wide-ranging and non-stop discussion.

History of Singapore-based performance company TheatreWorks

Performing the City proposes different ways in which the body moves and performs with the city, exploring the capacity of choreographic and performance practices for rehearsing and testing experimental methods for navigating the public realm.

Boxed set includes book and 4 DVDs.

Film of performances of Sissy in 2009 and 2010, bio, and photographs of Nando Messias.

The Declaration of Super Modern Dance is part of ‘A Super Modern Dance and Other Romances’, by Pavlos Kountouriotis,

Move. Choreographing You, Art and Dance Since the 1960s, explores cross-currents between contemporary art and dance over the past fifty years, with essays by Susan Leigh Foster, Andre Lepecki, Peggy Phelan.