Catalogue > By Keyword > music
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The Brixton Time Machine
Researching archived and contemporary memories of Brixton
Summerhall Festival Programme 2013
From ritualistic horror and challenging meta-theatre, to discussions about dissection and death, this programme of events directs audiences towards moments of collision and discovery.
Body: Language No. 4
Body: Language is a series of public conversations in which choreographers and artists consider the role of the body in their work. This edition features a conversation between series curator Guy Cools, Jonathan Burrows and Matteo Fargion about the musical body.
The 6th Taishin Arts Award
Catalogue of entries and jury’s comments for the Taishin Arts Award 2007
First Findings - Policy, practice and progress
A review of creative learning 2002-2004.
The Ballad of Genesis and Lady Jaye
This film chronicles the life and work of pioneering musician and performance artist Genesis Breyer P-Orridge, starting with Throbbing Gristle in the 1970s to the still very active cult favourite Psychic TV, and how h/er chance encounter with a dominatrix/performance artist in New York called Lady Jaye brought about a singular and enduring artistic collaboration and a brazen partnership that defied all the perceptions of love.
Tanya Ury - Artist’s Collection
4x books: Migration, Communication & Home, Jewish Tradition, Change & Gender in a Global World; Menschen wie Du und Ich; Stets Gern Fur sie Beschaftigit…; Heimat Kunst. Artist’s postcards, 16 x performance documentation DVDs, 1 x music CD. Collection of books and performance documentation donated to the Study Room by the artist. In German and English.
Shelved in Oversize publications section.
ITSOFOMO (In the Shadow of Forward Motion)
A multimedia performance that Wojnarowicz made in collaboration with composer and musician Ben Neill in 1989.
Unsound Method II (after Conrad)
Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the second publication – Unsound Method II – the pages of Heart of Darkness are again redacted, this time in black, and leaving only words associated with darkness – night, gloom, shadow, black and so on – as visible traces on the page.
Unsound Method I (after Conrad)
Tim Etchells’ project Unsound Method (after Conrad), responds to Joseph Conrad’s novel Heart of Darkness and comprises several discrete works including: two versions of the novel, a musical score for violin and trumpet, and a video featuring a live performance of the score. In the first publication – Unsound Method I – the pages are redacted in white and only words associated with light – day, bright, sun, morning and so on – remain visible, carving out a poem which was always present in the material of the original novel.
