Catalogue > By Keyword > Myriam Van Imschoot
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Danse: An Anthology
Editor: Noemie Solomon | Reference: P2436 | ISBN: 9782840666943 | Type: Publication
A collection of key writings on choreography across the French, U.S and international dance scenes since the turn of the century.
Alexandra Baudelot
America
American
Andre Lepecki
Anne Collod
belonging
bodies
body
Bojana Cvejić
Bojana Kunst
Boris Charmatz
Boyan Manchev
Celine Roux
Chanta Pontbriand
choreography
Christophe Wavelet
contemporary
criticism
dance
dance history
Dominique Brun
Erin Maning
Europe
France
Franz Anton Cramer
French
globalization
history
identity
international
Isabelle Ginot
Isabelle Launay
Jenn Joy
Jérôme Bel
Jonathan Burrows
Julie Perrin
knowledge economy
Laurence Louppe
Laurent Goumarre
Mark Franko
Mårten Spångberg
Michel Bernard
Miguel Gutierrez
movement
Myriam Van Imschoot
Noemie Solomon
non-dance
performativity
Ralph Lemon
semiotics
Simon Hecquet
Sophie Claudel
theory
USA
Xavier Le Roy
Yvane Chapuis
Yvonne Rainer
Planes of Composition: Dance, Theory and the Global
Artist/Author: Various | Editor: Andre Lepecki, Jenn Joy | Reference: P2089 | Type: Publication
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
Akram Khan
Andre Lepecki
Anurima Banerji
attention
body
Boris Charmatz
Chandralekha
choreography
Christine Greiner
compositions
contemporaneity
dance
Danielle Goldman
Deborah Hay
embodied
endurance
Erin Manning
ethics
Frédéric Pouillaude
Gerald
gesture
Hong Kong Dance Company
Hooman Sharifi
Jenn Joy
Jeroen Peters
Jose Gil
kinetic
movement
moving
Myriam Van Imschoot
Noemie Solomon
Paula Caspao
performance
Peter Sloterdijk
philosophy
political
postcolonialism
postmodernity
race
Ralph Lemon
resistance
Robin Rhode
Roseanne Spradlin
Royona Mitra
SanSan Kwan
Siegmund
space
spasm
theoretical
theory
Are we here yet?
Editor: Jeroen Peeters | Reference: P1548 | Type: Publication
An artist’s book in which American choreographer reflects on her own practice in dialogue with several (former) Damaged Goods collaborators.
