Catalogue > By Keyword > national identity
17 results | Page 1 of 2
Sonia Boyce: Reclassifying Classification
Afterall Journal
Issue 49 Spring/Summer 2020 – ‘Extractivism’ – looks at a nexus of practices engaging with environmental issues and extractivist capitalism. In parallel, it covers alternative ways in which artists are occupying spaces of art, history or economics.
P.27-35
Nizan Shaked traces the interventions of Sonia Boyce’s work in received categories of artistic practice, considering how these interventions suggest means of classification beyond media, artistic intention and identity.
Acts of Transgression: Contemporary Live Art in South Africa
15 writers explore the experimental, interdisciplinary and radically transgressive field of contemporary live art in South Africa.
Part of the Library of Performing Rights (P3041).
I’m Roger Casement
Film created as part of The Casement Project, a multi-disciplinary project about Roger Casement, a British knight, Irish rebel and international humanitarian.
Part of the Library of Performing Rights (P3041).
Emotion Pictures
In these essays on the cinema, the author documents the obsessions leading to “Paris, Texas” and beyond.
Staging Queer Feminisms: Sexuality and Gender in Australian Performance, 2005-2015
Examines sexuality, gender and race in Australia’s vibrant independent theatre and performance culture.
Part of Library of Performing Rights (P3041)
The White Possessive: Property, Power, and Indigenous Sovereignty
Explores the links between race, sovereignty, and possession through themes of property: owning property, being property, and becoming propertyless.
You are here…but where am I? documentation
Passports created during the intimate one to one intervention that happens in the (terror)tory between here and there, within the border of Passport Control.
Part of the Library of Performing Rights (LPR) (P3041).
Performative monuments: The rematerialisation of public art
How did performance artists of the ’60s and ’70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the ’80s, ’90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Assemblage: An Art Series on Identity, Memory, and Displacement
Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.
In misc folder 7.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Visita al archivo de ExTeresa Arte Actual: I ♥ Mexican women performance artists
Part of “Negación y Utopía” (“Nagation and Utopia”), the first National Festival of Performance of Mexico, 6-29 November 2013, a platform showcasing work on Mexican identity and multicultural hybrids. This documentation includes recordings of the performance, exerpts, and interviews with the artist. Spanish language.