Catalogue > By Keyword > National Theatre of Scotland
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It’s Time: how Live Art is taking on the world from the front line to the bottom line
A collection of case studies from Live Art UK, the publication responds to the recent successes of Live Art and highlights those artists, projects and initiatives which are re-politicising and re-energising our arts spaces, sharing radical works and ideas with a public who are themselves being forced to do more with less.
Part of the Library of Performing Rights (P3041).
Theatre and Scotland
A concise overview of the shifting roles of theatre and theatricality in Scottish culture, asking important questions about the relationship between Scottish theatre, history and identity, and celebrating the recent emergence of a generation of internationally successful Scottish playwrights.
Lifeguard
Immersive theatrical experience exploring the complex and ambiguous relationship with water. In collaboration with Mike Brookes, Minty Donald, Rob Drummond, Ira Mandela Siobhan, Jane Mason, Nick Millar and Nichola Scrutton.
18 October 2012 at Govanhill Baths. 52 minutes.
Lifeguard
This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5193.
Immersive theatrical experience exploring the complex and ambiguous relationship with water. In collaboration with Mike Brookes, Minty Donald, Rob Drummond, Ira Mandela Siobhan, Jane Mason, Nick Millar and Nichola Scrutton.
18 October 2012 at Govanhill Baths. 52 minutes.
Programme Notes: Case studies for locating experimental theatre, second edition
Programme Notes: Case studies for locating experimental theatre, revised and expanded second edition is a collection of commissioned essays, case studies and interviews reflecting the exciting and complex relationships between ‘mainstream’ stages and ‘experimental’ theatre practices. This revised and expanded edition includes the original contributions (from the first edition, published 2007) whilst illustrating some of the seismic shifts that have taken place across the theatre landscape of the UK since 2007 through profiles of the work of Manchester International Festival, National Theatre Scotland, BAC (Battersea Arts Centre) and Forest Fringe.
