acting Africa antitheatricality archive authenticity colonized colonizer dance dead diaspora directing director embodiment emotion Erika Fischer-Lichte evidence forgetting gender gesture Greek tragedy imitation liveness medieval theatre memory mimesis naturalism orator R. G. Collingwood recording reenactment repetition spectatorship temporality the deadness time vision William Shakespeare

Alan Sinfield Alfred Jarry Andre Breton Anton Chekhov Antonin Artaud Arthur Symons August Strindberg avant-garde Bertolt Brecht Caryl Churchill Christopher St. John Cicely Hamilton criticism Emile Zola Enrico Prampolini Ernst Toller Eugenio Barba Ewan McColl Federico García Lorca Filippo Tommaso Marinetti Forced Entertainment Guillaume Apollinaire Guillermo Gómez-Peña Hallie Flanagan Hans-Thies Lehmann Helen Gilbert Henrik Ibsen history Howard Barker ideology James Baldwin Jean Baudrillard Joanne Tompkins John McGrath László Moholy-Nagy Laurie Anderson Marie Bressard Marie Irene Fornés Mark Ravenhill Maurice Maeterlinck naturalism Nicholas Zurbrugg Oskar Kokoshka Pierre Quillard politics Raoul Hausmann Robert Lepage Roland Barthes Ronald Gow Sheila Stowell SuAndi Susan Carlson Terry Eagleton text theatre theory Tim Etchells Umberto Boccioni Walter Benjamin Walter Greenwood