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Yayoi Kusama: Inventing the Singular
Yamamura eschews the usual critical fascination with Kusama’s biography to consider the artist in her social and cultural milieu. By examining Kusama’s art alongside that of her peers, Yamamura offers a new perspective on her career.
Infinity Net: The Autobiography of Yayoi Kusama
This engaging autobiography tells the story of Kusama's life and extraordinary career in her own words, revealing her as a fascinating figure and maverick artist who channels her obsessive neuroses into an art that transcends cultural barriers.
Spirale
This volume collects four tales interspersed with ink drawings by the artist which illustrate his memoirs on gay love, memory and desire in contemporary America. In French. Translated from English by Laurence Viallet.
Yayoi Kusama
The first ever monograph on the astounding 40-year career of this established, deeply daring and tirelessly experimental artist, who represented Japan at the Venice Biennale in 1993. It was published to coincide with an exhibition in 2000 at the Serpentine Gallery.
Acts of Intervention: Performance, Gay Culture, and AIDS
This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.
Leigh Bowery - The Life and Times of an Icon
A biography and tribute to a colourful unique and larger than life character, written by his close friend.
Black Artists in British Art: A History since the 1950s
Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare.
Sensible Politics: The Visual Culture of Nongovernmental Activism
A diverse group of contributors, from art historians, anthropologists, and political theorists to artists, filmmakers, and architects, considers the interaction of politics and the visual in such topics as the political consequences of a photograph taken by an Israeli soldier in a Palestinian house in Ramallah; AIDS activism; images of social suffering in Iran; the “forensic architecture” of claims to truth; and the “Make Poverty History” campaign. Transcending disciplines, they trace a broader image complex whereby politics is brought to visibility through the mediation of specific cultural forms that mix the legal and the visual, the hermeneutic and the technical, the political and the aesthetic.
One Year Performance 1981–1982
In his third one-year performance piece, from 26 September 1981 through 26 September 1982, Hsieh spent one year outside, not entering buildings or shelter of any sort, including cars, trains, airplanes, boats, or tents.
SD Video 31’ 15 video, colour, sound
The Gentrification of the Mind: Witness to a Lost Imagination
This publicationis a polemic, provocative account of disappearance, forgetfulness and untimely death.