autobiography diary documentation electronic environment everyday feminism feminist identity landscape Laurie Anderson music New York photographs place sound women

Ann Magnuson club culture Fun Gallery Glenn O'Brien Jean-Michel Basquiat Jimmy de Sana Joey Arias John Sex Keith Haring Kenny Scharf Klaus Nomi Lydia Lunch Mudd Club New York Patti Astor Patti Smith punk rock

1970s Apparition Theater of New York Babette Mangolte Byrd Hoffman School Of Byrds Ericka Beckman Jack Smith Jared Bark Jill Kroesen John Zorn Julia Heyward Ken Jacobs Kipper Kids Laurie Anderson Michael Smith Mike Kelley New York Ontological-Hysteric Theater performance art Ralston Farina Richard Foreman Robert Wilson Squat Theatre Stuart Sherman Sylvia Palacios Whitman Theatre of Musical Optics Theodora Skipitares underground Vito Acconci Yvonne Rainer

abstract expressionism Beat poets cinema criticism Gertrude Stein Jack Smith John Cage minimalism New York Reza Abdoh Richard Foreman Robert Wilson theory Wooster Group

New York performance art queer theatre

camp Charles Ludlam gay New York performance art queer theatre

gay Genesis P-Orridge identity love Marie Losier music New York performance art queer sex sexuality Throbbing Gristle

AIDS Ben Neill David Wojnarowicz Exit Art gay health HIV music New York politics queer San Francisco Art Institute Seattle sex sexuality sound art spoken word text video Walker Art Center

1980s AIDS Beatrix Ruf Boston School Dirt Magazine female nude Fionn Meade Frank Wagner Lia Gangitano Linda Yablonsky male nude New York photograms photography Stuart Comer Teresa Gruber Thomas Seelig

ACT UP AIDS Cynthia Carr David Wojnarowicz gay New York Peter Hujar queer