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Catalogue > By Keyword > Occupy

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Performing Revolutionary: Art, Action, Activism

Artist/Author: Nicole Garneau | Editor: Anne Cushwa | Reference: P3541 | ISBN: 978-1783207947 | Type: Publication

The result of five years of practice-based creative research focused on the UPRISING project, the book presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide. 

Part of the Library of Performing Rights (LPR) (P3041).

Theatre & Protest

Artist/Author: Lara Shalson | Reference: P3320 | ISBN: 978-1137443090 | Type: Publication

How does protest engage with theatre? What does theatre have to gain from protest?

Critical Landscapes: Art, Space, Politics

Editor: Emily Eliza Scott and Kirsten Swenson | Reference: P3132 | ISBN: 978-0520285491 | Type: Publication

One of the first comprehensive treatments of land use in contemporary art, the collection surveys the stakes and concerns of recent land-based practices, outlining the art historical contexts, methodological strategies, and geopolitical phenomena.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Stand

Reference: P3057 | Type: Publication

Newspaper commissioned for (in)Xclusion festival 2012. The brief was to respond to issues of social exclusion through the framing of performance – images generated collaboratively over a 3 day workshop.

Henry Rollins

Editor: V. Vale | Reference: P2556 | ISBN: 978-1889307374 | Type: Publication

Collection of nterviews with Henry Rollins focusing on Henry’s travels often to countries considered dangerous and off-limits.

Artists Keep Themselves Occupied with a Day of Live Action

Artist/Author: Nick Ahad | Reference: A0530 | Type: Article

Nick Ahad reports on a 24-hour arts occupation in Leeds. In Miscellaneous Folder 4.

Legacies of Tactical Media

Artist/Author: Eric Kluitenberg | Editor: Greet Lovink and Sabine Niederer | Reference: P1866 | ISBN: 978-90-816021-8-1 | Type: Publication

Tactical Media employ the ‘tactics of the weak’ to operate on the terrain of strategic power by means of ‘any media necessary’, this notebook traces the legacies of tactical media to begin creating these hybrid cartographies

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