Catalogue > By Keyword > Oliver Frljić
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The Twenty-First Century Performance Reader
Editor: Teresa Brayshaw, Anna Fenemore, and Noel Witts | Reference: P4028 | ISBN: 978-1138785342 | Type: Publication
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Aaron Williamson
Action Hero
activism
Agata Siniarska
amateur
Andriy Zholdak
Andy Smith
artists
audience
Augusto Corrieri
autobiography
Back To Back Theatre
Blast Theory
body
Brett Bailey
capital
Chris Goode
cinema
Clod Ensemble
Constantin Chiriac
criticism
Dah Theatre
Dalia Basiouny
David Chisholm
Deepan Sivaraman
Derevo
devised theatre
diary
disability
documentary theatre
Dood Paard
Dries Verhoeven
economy
Eleanor Bishop
Eleonora Fabião
Every House Has A Door
Farah Saleh
Gecko
gentrification
Getinthebackofthevan
Gibson/martelli
Gob Squad
Heiner Goebbels
Hiwa K
Hotel Pro Forma
Imitating The Dog
immersive
intervention
Jérôme Bel
Junnosuke Tada
Kira O'Reilly
La Fura dels Baus
lecture performance
Liu Chengrui
London
Lone Twin
María José Contreras Lorenzini
memory
Michael Pinchbeck
Mike Pearson
Mohammad Aghebati
Monster Truck
Needcompany
New Art Club
Oblivia
Oliver Frljić
Ontroerend Goed
Padmini Chettur
participation
Patricia Ariza
performance
Peter Sellars
politics
protest
public space
Punchdrunk
Quarantine
Reckless Sleepers
Ridiculusmus
Rimini Protokoll
Sankar Venkateswaran
Serbia
Shirotama Hitsujiya
Shunt
Silvia Mercuriali
Silviu Purcărete
site specific
Sleepwalk Collective
Socìetas Raffaello Sanzio
space
stage
Tammy Brennan
Tania Bruguera
Tess De Quincey
The Builders Association
theatre
theory
Third Angel
Tim Crouch
Toshiki Okada
Ultima Vez
Unlimited
Vincent Dance Theatre
Wendy Houstoun
Xing Xin
Not Just a Mirror: Looking for the Political Theatre of Today
Editor: Florian Malzacher | Reference: P2797 | ISBN: 978-3895813788 | Type: Publication
The publication is comprised of eight essays, two interviews, and 15 case studies of political theatre makers, and investigates the performing arts as a political laboratory of the present. It explores how theatre, dance, and performance reveal their essential agnosticism, provoking the potential to actively change society rather than merely serving as a cover-up for the dysfunctions, fractures, and wounds of society.
Alexander Karschnia
Annie Dorsen
Árpád Schilling
Beatrix Kricsfalusi
Benjamin Wihstutz
Bojana Kunst
Boris Buden
Carol Martin
Christian Römer
Christoph Schlingensief
community
criticism
democracy
Etcetera
Faustin Linyekula
Florian Malzacher
Francesco Scasciamacchia
Franck Edmond Yao.
Galit Eilat
Giulia Palladini
Goran Sergej Pristaš
Hans-Thies Lehmann
Hervé Kimenyi
Janez Janša
Jeroen Peeters
John Jordan
Judith Malina
Julian Boal
Krétakör
Lloyd Nyikadzino
Mapa Teatro
Margarita Tsomou
Matan Cohen
Michael Sengazi
Milo Rau
Monika Ginterdorfer
Oliver Frljić
Oliver Marchart
performing arts
political theatre
politics
poverty
representation
Roman Pawłowski
spectatorship
Sylvia Sasse
Tala Jamal Manassah
Teater NO99
Teatr.doc
Theater HORA
theatre
Theatre of the Oppressed
theory
Vassilis Tsianos
