Catalogue > By Keyword > ownership
7 results | Page 1 of 1
Theatres of Learning Disability: Good, Bad, or Plain Ugly?
The first scholarly book to focus exclusively on theatre and learning disability as theatre, rather than advocacy or therapy.
Part of the Library of Performing Rights (LPR) (P3041).
I WON’T DO WHAT YOU TELL ME
Part project part catalogue: split into three distinct sections the book brings together artists and academics to explore the impact of gentrification and the possibility of resistance.
Six Saints 2008-2013
Catalogue of a series of performances investigating the time concepts of 6 famous Danish scientists from the renaissance to the present.
Be Here Now
Adam E Mendelsohn article discussing the retrieval of history through re-enactment.
Whose Heritage? The Impact of Cultural Diversity on Britain’s Living Heritage
Performing Idea: Reciprocal Aesthetics
Performance Matters, Performing Idea – Reciprocal Aesthetics7th October3:00-7:30pmToynbee StudiosWith: Ron Athey, Wafaa Bilal, Maaike Bleeker, Shannon Jackson and Julie Tolentino The participation of the spectator in making the meaning of the work of art has been a staple of art and performance practices long before the recent charged debates on ‘relational aesthetics.’ Yet art, however solitary, is arguably always a kind of collaboration and involves itself in some form of exchange. What can be at stake in this exchange? Speakers will examine the notion and limits of the idea that contemporary art and performance is a reciprocal affair. They will ask what gets transacted in contemporary art? What is given and what is taken, what is shared and what cannot be shared?
Marking The Territory
Marking the Territory – A performance event curated by Marina Abramovic. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
