Catalogue > By Keyword > painting
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John Latham: A World View
Catalogue published to accompany the Serpentine Galleries Spring Season exhibitions (2 March – 21 May 2017).
Performance by Artists
A collection of essays, documents, & bibiliography reagrding performance art edited by people associated with a Toronto-based arts organization.
Crossbred and Émigré: Visual Art in a Flux
Article about the Philippine visual art.
In misc folder 7.
Walking as Reading and Memory
Postcard book; presents a performative text of the 18 questions which appear in the diagnostic questionnaire of the adult ADHD Self-Report scale.
Gustav Metzger: Act or Perish! - A Retrospective
Accompanies the first extensive overview of Auto-Destructive art pioneer, organized in 2015–16 at the Centre of Contemporary Art in Torun, Kunsthall Oslo and Stiftelsen Kunstnernes Hus in Oslo.
The Concrete Body: Yvonne Rainer, Carolee Schneemann, Vito Acconci
Offering an incisive rejoinder to traditional histories of modernism and postmodernism, this book examines the 1960s performance work of three New York artists who adapted modernist approaches to form for the medium of the human body.
Essays on the Blurring of Art and Life
Kaprow’s sustained inquiry into the paradoxical relationship of art to life and into the nature of meaning itself is brought into focus in this newly expanded collection of his most significant writings.
Selma Selman catalogue
A catalogue of one of the most important contemporary Roma artists: a comprehensive overview of her oeuvre and a concise insight into the complex questions of the life of ethnic minorities. In Slovenian, Roma and English.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Documenta 14 #1
First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Media Parasites in the Early Avant-Garde: On the Abuse of Technology and Communication
Niebisch retraces how the early Avant-Garde movements started out as parasites inhabiting and irritating the emerging mass media circuits of the press, cinema, and wired and wireless communication.
