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Choreographies: Tracing the Materials of an Ephemeral Art Form
Lansley offers unique insight into the processes behind independent choreography and paints a vivid portrait of a rigorous practice that combines dance, performance art, visuals, and a close attention to space and site.
n-1 Performance life
Documents the artist’s two-year (2015-2017) experimental site-specific art project. The project involved Chen’s visits to 168 locations set out as squares on a Google map of Greater London, and used the city as a stage and open space for the execution of Chen’s experiments.
Trans-Spectator: The spectator’s bodily participation in Via Negativa’s performance Bi ne bi
Explains the concept of the trans-spectator using the Slovenian theatre group performance (Would Would Not, 2005) as an example.
The Walking Read Group On Commons
Publication on four walks commissioned by SPACE, which provided the chance to discuss the many and varied viewpoints related to the commons, including resource, community and the process of commoning. This edition includes an essay written by Maru Rojas in response to the project and the commons.
It’s All Allowed: The Performances of Adrian Howells
Citing Howells’ permissive mantra as its title, the book includes new writing from leading scholars and artists, as well as writing by Howells himself, an extensive interview, scores, and visual materials, which together offer new insight into the artist’s ground-breaking process.
Hotel Obscura programme (2)
Large format programme for Hotel Obscura (Vienna performances). In German.
My Neck Of The Woods
A live documentary made in collaboration with a group of young people, set on the streets of Manchester. To take part you go online and choose from 3 people’s streams.
A Place Free of Judgement
During 2016 Blast Theory and Tony White worked with a group of young people in libraries in Telford and Wrekin to re-imagine libraries, story telling and their place in the world. On 29 October 2016, over the course of 9 hours from 3pm to midnight, the young people took control of their local libraries, and performed live to a worldwide audience. This book is a result of that process.
ART IN CONTEXT: Learning from the Field
21 passionate statements from practitioners in the field of participatory art from Myanmar, Japan, Germany, Malaysia, Thailand, Indonesia, the Philippines, Singapore, Hong Kong and China. Their contributions help to define a complex practice, that takes many forms and is called by many names, but is united by a spirit of giving, receiving and reciprocating in art-making.
PRAXIS Vol 1: Of People, Place & Time
Taking two years of projects and initiatives by Heart of Glass, a national agency for collaborative and social practice based in St Helens, as its starting point, the publication explores the interface between theory and practice.