Catalogue > By Keyword > participation
428 results | Page 16 of 43
The Art of Being Many - A position paper
Paper setting out new forms of audience participation in political and ethical terms.
Part of the Study Room Guide on Live Art and Kids (P3091).
In misc folder 6.
Oogly Boogly
What happens when a 12-18 month old is let loose in a soft, safe space with someone who follows and reflects their every sound, move and mood? The interaction between babies, performers and the audience of parents and carers is what makes this an utterly unpredictable event.
Includes a 10 minute edit and a video of the 45 minute performance a the 2005 Melbourne Festival.
Part of the Study Room Guide on Live Art and Kids (P3091).
Immersive, verbatim & immersively verbatim
Reviews from New York: Sleep No More (Punchdrunk), The Sound and the Fury (Elevator Repair Service), Argument Sessions (Ilana Baker)
Ouch: Pain and Performance
A LADA screening programme for the 2016 Venice International Performance Art Week: a collection of documentation and artists’ films looking at pain and performance.
Includes:
Marina Abramovic – On ‘Rhythm O’, 1974, 2013, 3’07” ; Ron Athey – Ron’s Story, 2001, 4’44”; Marcel.Li Antunez Roca – Epizoo, 1994, 8’29; Franko B – Don’t Leave Me This Way, 2009, 5’03”; Wafaa Bilal – On ‘Shoot An Iraqi’, 2007, 2’21”; Rocío Boliver – Times Go By and I Can’t Forget You: Between Menopause and Old Age, 2013, 4’18”; Cassils – The Powers That Be, 2016, 2’24”; Bob Flanagan – Cystic Fibrosis Song, 1990’s 1’32”; Regina Jose Galindo – Lucha, 2002, 3’37”; jamie lewis Hadley – this rose made of leather, 2012, 9’10”; Nicola Hunter & Ernst Fischer – Passion/Flower, 2012, 4’02”; Oleg Kulik – Dog House 1996, 4’10”; Martin O’Brien – Taste of Flesh, 2015, 2’59”; Kira O’Reilly – Wet Cup, 2000, 2’29”; ORLAN – Successful Operation, 1990, 6’16”; Petr Pavlensky – Radical Artist In Court – Ukraine Today News Item, 2015, 1’57”
Personal Shopper: A Kirkgate Market Mis-Giude
Artists Katie Etheridge & Simon Persighetti team up with shoppers, traders and market enthusiasts to create a pick and mix selection of ways to navigate and explore the market as trading place, social space and playing space. The Mis-Guide was originally produced for Compass Festival.
Performing Idea Symposium documentation
Video documentation of contributions to the Performing Idea Symposium, investigating the shifting relations between performance practice and discourse, event and writing; Toynbee Studios, 5-9/10/2010.
Includes nine files, containing videos of contributions on In Silence, Performative Writing, Reciprocal Aesthetics and Living Archives.
The Shop Collections
Documentation and reflections on the project that took over three disused shop spaces in Sharrow, Sheffield. Started in 2002, the project continues around the country to this day.
Miranda July’s Intermedial Art: The Creative Class Between Self-Help and Individualism
The first in-depth study of July’s work provides fascinating insights into the lifestyle of the contemporary white Californian middle class.
Social Art Map
Made for Out of the Ordinary Places (OOTO Places), an Ideas Test programme working in four areas of North Kent where commissioned artists created projects shaped by people and place. Developed to support more people to get involved in the arts, four new projects took place in Iwade, Sittingbourne, Strood and the Isle of Grain. OOTO Places explores how local residents and artists can co-create new and experimental work that reimagines and challenges perceptions of place and in turn raises wider social and political questions.
Perambulator documentation
Documentation from a performance project, which made visible issues around walking with a pram. Through a series of pram walking events around Huntly–town and country–Clare tried to make visible this, and other spaces, and their fitness for people with young children.
Includes the programme and blog posts.
Part of Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal (P3025).
