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Exploding Galaxies: The Art of David Medalla
A book on the multi-disciplinary and experimental practice of artist David Medalla, who was born in the Philippines. Based in London since the 1960s, he has made an effort to remain independent of the art market and the institutional structure. Artist biography, bibliography and illustrated documentation of works included.
This item is part of the 'Glimpses of before: 1970s UK Performance Art' Study Room Guide by Helena Goldwater (P2497)
YMEDACA
Comprehensive documentation on YMEDACA: a re-mapping of YSP as a contemporary translation of the very first university, Plato’s ‘Academos’.
Art As Social Practice A Critical Investigation Of Works By Kenneth A. Balfelt
The publication looks at a number of vigorously debated collaborative projects undertaken over the past twelve years in and outside Denmark by artist Kenneth A. Balfelt. It contains both introductions to five projects, interviews with the people involved in the projects and finally four essays trying to reflect on the impact of these kinds of artworks.
Acciones en Ruta: Intervención en la ciudad de México
In Spanish and English. Compilation of texts and graphic records of artistic projects and interventions that were carried out from 11 to 13 June 2003 , in different parts of Mexico City.
Jamie McMurry’s Shit Parade
Writing and documentation from a performance in London March 2015 with photos by Manuel Vason. Miscellaneous folder #5A
SWIM
One of a series of works looking at people and their relationship with water in an urban setting.
2014, HD video, 31’ 19”
Radical Prototypes: Allan Kaprow and the Invention of Happenings
Rodenbeck offers a rigorous art historical reading of Kaprow’s project and related artworks. She finds that these experiential and experimental works offered not a happy communalism but a strong and canny critique of contemporary sociality. Happenings, she argues, were far more ambivalent, negative, and even creepy than they have been portrayed, either in contemporaneous accounts or in more recent efforts to connect them to contemporary art’s participatory strategies.
pani
pani documents and contextualises activities of Bbeyond performance art organisation from 2001 to 2008, also covering two exchanges with Québec and Helsinki.
Collective Actions: Audience Recollections from the First Five Years 1976-1981
Active in Moscow since 1976, the Collective Actions group played a key role in the development of conceptual and performance art in the Soviet Union. Inspired by the work of John Cage, the organizers invited audiences to take part in minimal, outdoor actions in fields and forests on the edges of the city that explored the nature of the aesthetic event. The publication concentrates on the early period of field actions when the problems of documentation—how to capture and convey ephemeral action to non-participants—were just beginning to be considered.
Museum of Water
This publication contains a selection of bottles from the first year of Amy Sharrocks’ Museum of Water project, with a foreword by the artist.
