A series of accounts of the eperiences of artists and communities who have come together in contexts not usually seen as arenas for the arts.

10 practitioners from different backgrounds to reflect on the broad themes of participation, audience, criticality and writing in a series of short essays and provocations inspired by their own practice and numerous works in Compass Festival 2014. Contributors include Andy Abbott, Emma Cocker, Patrick Coyle, Victoria Gray, Gillie Kleiman, Annie Lloyd, Gill Park, Harold Offeh, Nathan Walker, Adam Young. A limited edition hard copy.

This publication explores the pivotal role artists play in re-thinking the future; re-inventing and re-imagining our world at a time of systemic change and uncertainty. This book identifies collaborative arts practices emerging in response to planetary challenges, reclaiming a traditional role for artists in the community as truth-tellers and agents of change.

In this article, the author discusses Tino Sehgal's work These Associations (Tate Modern, 2012) considering the reconfiguration of the relationship of the individual to the collective.

This exhibition catalogue brings together material from the artist’s private archive: images, texts, diaries and other ephemera that act as points of reference in Abramović’s oeuvre. The publication includes an essay by the exhibition’s curator, Sophie O’ Brien, and also tracks, through diary entries and photographs, Abramović’s journeys in Brazil in 2013, which informed her planning for the exhibition at the Serpentine Gallery.

Written by Simon Casson, producer of Duckie, this is a polemic letter responding to the consultation towards the McMaster Review for James Purnell and the Department of Culture Media and Sport, condemnning the state of art-funding.

The Walking Reading Group is a project that facilitates knowledge exchange in an intimate and dynamic way through discussing texts whilst walking together. The publication contains contributions from Rebecca Beinart, Kit Caless, Faiza Shaheen, Ken Worpole and John Levett.

This publication outlines strategic plans for inclusive art practices.

The book is based on an ongoing, long-term, extensive photographic project spanning over a five-year period, which follows a group of women (artists) through their pregnancies into motherhood.

Documentation of workshop presented as part an extensive programme curated by Lois Keidan and Aaron Wright (Live Art Development Agency) entitled “Just Like A Woman”, composed of lectures, performances, readings, installations, screenings, workshops and debates on performance of identity, is fully dedicated to the impact of performance on feminist histories and the contribution of artists to discourses around contemporary gender politics.  From the 19th edition of the City of Women (Mesto žensk) festival – 2-13 October 2013, Ljubljana, Slovenia – entitled “Let’s create a place for ourselves” on public space and politics.