biography documentation durational endurance film installation lecture mental limits MoMa New York one-to-one participation performance art performance history performing body physical limits re-performance ritual rituals theatre time-based women

ageing body community conceptual criticism economy ethnicity feminism feminist history identity Kerstin Mey live art Moira Roth money participation performance art politics public art race social intervention socially engaged theory violence women

Alexander Klar Alison Knowles art movement Ben Patterson Ben Vautier body Dick Higgins Emmett Williams experimental Geoffrey Hendricks George Brecht George Maciunas Germany happenings heritage history iconoclasm impact interdisciplinary intermedia internationalism Joe Jones Joseph Beuys live art methods Milan Knizak motifs Nam June Paik participation Philipp Corner playfulness Robert Fillou Sarah Maske score spectators Stefan Fricke Takako Saito transience transient uniqueness Wiesbade Wolf Vostell

autobiography body clichés identity intervention labour life Mephistophelian money participation participatory post-illness post-trauma public socially engaged surgery

autobiography community costume cultural identity identity live art music musical participation sound theatre

acitivism Brazil consumerism cooking environment food intervention participation politics protest Rio De Janeiro site specific socially engaged urban

Abhay Ghiara absurdim clowns Cormac Power criticism David Grant Eric Weitz failure Grotowski humanity Jill Dolan Jocelyn McKinnon Johanna Linsley John Wesley Days Jr Jools Gilson Margaret Werry Matthew Goulish Michael Sommers participation performance representation Ricardo Dominguez Roisin O'Gorman Rustom Bharucha Sean Lowry Sonja Arsham Kuftinec theory Tim Etchells Vlatka Horvat

autobiography criticism distance durational foot installation journey Lone Twin one-to-one participation performance site specific theory Third Angel walking

activism Ai Weiwei Ala Plástica Amal Kenawy archive art Ata Hasheminejad Athi-Patra Ruga Basurama Bita Fayyazi Bread and Puppet Theatre Brian Holmes Buster Simpson camp Carol Becker Chemi Rosado Seijo Chto Delat? Claire Bishop class Colectivo Cambalache Complaints Choir Cornerstone Theater Company Cybermohalla Ensemble Decolonizing Architecture direct action Essex Street Market feminism feminist Fran Ilich Francis Alys Fritz Haeg gender Helena Producciones intervention Jeanne van Heeswijk Jeremy Deller Josh Greene Katerina edá Laurie Jo Reynolds Long March Project Mammalian Diving Maria Lind Mel Chin methodologies methodology Michihiro Shimabuku Mierle Laderman Ukeles Minerva Cuevas Navin Rawanchaikul No One Is Illegal participation Pase Usted Paul Glover Pedro Reyes performance art Peter Watkins Phil Collins Piratbyrån politics protest Public Movement public space Pulska Grupa Rick Lowe Shannon Jackson Slanguage socially engaged Steve Lambert Suzanne Lacy Teddy Cruz The Land Foundation The U.S. Social Forum The Yes Men Theaster Gates theatre Ultra-red Urban Bush Women urban planning visual art Voina Wikileaks Women on Waves

academics artist development collaboration devising dramaturgy education international making methodology national participation playful provocation reflection resource theatre making training tool