The universal basic income idea is, overall, profoundly performative, in that it attempts to model the ultimate pragmatism of wider social nets of generosity, and does so by representing the embodied conditions that might be brought into being by such generosity. In this way, the utopian heuristic of an unconditional, guaranteed income is said to be an ‘instrument of freedom’ and a ‘device for economic sanity’. The question is though, as is often the case: freedom and sanity for whom?

Part of the Library of Performing Rights (P3041).

A collection of music and words created in MiD workshops.

Part of the Library of Performing Rights (P3041)

Publication on the participatory mapping project developed that took place on the Redways in Milton Keynes from 17th – 29th July, 2018. 

In glass cabinet.

A journey through the void, ephemeral and digital towards play and poetry.

A collection of prophetic dream texts and images found in the ribcage of an ancient Priestess buried in a Sky Temple of former Tibet.

Useful and entertaining advice for developing a holistic body-mind practice.

This text finds the intimate affinity between dance and philosophy in the concept of problem and invites the reader to perceive dance and philosophy as a form of ballistics: the art of throwing.

Resisting the control of the image, transcending from the 2-dimensional, practicing being-a-body-in-the-world.

A practical handbook on the lost art of getting lost, reading the signs around you, following their lead, and creating your own.

The latest collaboration between Glenn Kaino and Derek DelGaudio, who work together as the conceptual performance art duo A.Bandit to make magical art.