On curating psychedelic experience.

Based on her widely praised performance piece Unicorn Gratitude Mystery, Finley’s book explores the Shakespearean dynamics that surface when libidos and loyalties clash in the public and private personas of Donald Trump, Hillary and Bill Clinton, Huma Abedin and Anthony Weiner, and now Harvey Weinstein.

Part of the Library of Performing Rights (LPR) (P3041).

Created to accompany the Solitary Pleasures exhibition at the Freud Museum, London in Spring 2018, this publication is a secret museum, a treasure trove of insightful and delightful drawings, sculptures, photographs, video stills, artefacts, performative gestures, and ephemera – as well as specially commissioned texts – on a subject at the heart of Freudian and post-Freudian sexuality, eroticism, and desire: masturbation.

Examines how Hannah Wilke explored the relationship between sexual and gustatory taste in her performance ­Super-T-Art (1974), which she created for Jean Dupuy’s event Soup & Art held at the Kitchen in New York Cit

Includes:
-Corridors, Stairways & Corners
-A Lexicon ofLabour Movements
-The Italic I (Tacturiency)
Generously donated to LADA's Study Room by Clare Thornton.

In the glass cabinet.

The result of five years of practice-based creative research focused on the UPRISING project, the book presents a number of methods for the creation of politically charged interactive public events in the style of a how-to guide. 

Part of the Library of Performing Rights (LPR) (P3041).

The first book bringing together writing and documentation on Martin O’Brien and marking ten years of his work.

Part of the Library of Performing Rights (LPR) (P3041).

Exhibition catalogue, Anna Banana: 45 Years if Fooling Around with A Banana; Open Space (September 19-October 24, 2015), the Art Gallery of Greater Victoria (September 19, 2015 – January 3, 2016), Pratt Institute Libraries (March 3-April 10, 2016). 

Guides the reader through a thicket of seemingly arcane meanings of nonrepresentational art forms, and brings clarity to the intentions and agendas of these artists, as well as to their real world contexts.

Festival catalogue, 14-16 October 1999, Timisoara. In Romanian and English.