This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5194.

A TV documentary following Howells' visit to Israel, where he performed at the Women's International Festival. With Hebrew and Russian subtitles. 

42 minutes. 

 This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5195.

One-to-one performance, situated within a garden designed by Scottish artist Minty Donald.

2009.

46 minutes

 This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5192.

Drawing on the popular entertainment form 'An Audience with …', Howells creates a performance in which an audience of around 25 is invited to share memories and experiences with his alter ego.

Blurred recording. 2006.

2 hours 36 minutes.

This DVD is currently missing. The digital files can be viewed in the Study Room. Their references are EF5197, EF5198, EF5199, EF5200.

4 short videos. 2006. Includes:

Introduction 2:18

Sensitive Boy 1:10

Fatally Attracted (to colourful and glittery things) 3:20

poofter 3:03

This DVD is currently missing. The digital file can be viewed in the Study Room. The reference is EF5202.

Adrienne's Dirty Laundry Service – Arches New Work Commission (2003), 22:16 

Adrienne's Room Service at The Great Eastern Hotel (2005), 8:50

Editor Chon A. Noriega collects ephemera gathered from Gamboa’s three-decade-long dadaistic career. The book includes interviews with artists, poetry, fiction, collaged images, documentation of public and staged performances, photographic portraits of Chicano men, and political writings, including an essay on public schools reflecting his son’s first year in kindergarten. 

A comprehensive survey of the artist's practice, including in-depth analysis of Nedregård's performances Vertigo of the Mind, and You, Me and The Other.

Sheren explores performance art and politics on the US Frontera since 1984. Beginning with a political history of the border, with an emphasis on the Chicano movement and its art production, Ila Sheren explores the forces behind the shift in thinking about the border in the late twentieth century.

Tracing a dynamic genealogy of performance from the nineteenth to the twenty-first century, Uri McMillan contends that black women artists practiced a purposeful self- objectification, transforming themselves into art objects.

This book examines the recent changes in the labour of an artist and addresses them from the perspective of performance.