Performance Art Faction (PAF) was an Arts Council England funded, nine month long holistic project made up of artist residencies, research labs, exhibitions, live performances and open platform events. PAF explored the intersections of contemporary performance art, politics and society with the aim of reawakening the innate political potential of our bodies. Contributors: Benjamin Sebastian, Francesca Lisette, Bean, Jessica Worden, Diana Damian, Robin Bale and Victoria Grey.Artists: Fabiola Paz, Jade Montserrat, Kris Grey, Amber Hawk Swanson, Hugh O’Donnell, Maria José Arjona, Arianna Ferrari, Panopoly Lab (Esther Neff and Brian McCorkle), Burmester & Feigl, Owen Parry, Carlos Salazar Lermont, Helena Walsh introducing Speaking of I.M.E.L.D.A and Aliza Shvarts. The publication is a homage to DIY print aesthetics and propaganda art, and includes: Commissioned essays from artists/academics/agitators, Film & Photographic documentation, Open Call & Research Lab roll calls, PAF memorabilia, PAF Artists' bios & photographs, ]ps[ manifesto. Shelved in Oversize publications section.

This catalogue explores different artistic strategies, notions and formats for developing performances in public space, using specific sites in Berlin as platforms to “embody” the city. Featured authors/artists: Bettina Wagner, Dovrat Meron, Grasiele Sousa & Lucio Agra, Michaela Muchina, Nathalie Fari, Paula Hildebrandt 

Digital documentation. Mexican performance artist Felipe Osornio aka Lechedevirgen Trimegisto screening programme of artists working in the contemporary Latin-American scene in relation to Postporno, gender and sexuality, presented on Wednesday 8 April 2015, in the LADA Study Room.

This exhibition booklet looks closely at the performative aspects of the action work by Vienna Actionists Günter Brus, Hermann Nitsch, Otto Muehl, and Rudolf Schwarzkogler contrasted with works by significant international practitioners of performance art, such as Marina Abramovic, Chris Burden, Tomislav Gotovac, Ion Grigorescu, Paul McCarthy, Ana Mendieta, Bruce Nauman, Yoko Ono, Gina Pane, Neša Paripovic, Ewa Partum, Carolee Schneemann, and VALIE EXPORT.

Ron Athey contributes to the fourth installment of the Walker Art Center Artist Op-Eds series. Examining the thinking of artists as citizens and change-makers, this series of commissioned opinion pieces features provocative reactions to the headlines.

This publication is an edition of Track Report dedicated to the archive of the event. The University Centre Saint-Ignatius Antwerp introduces two performance artists – Harry Gamboa, a Los Angeles-based Chicano artist, and Ria Pacqué, a Belgian body and performance artist – to the master students and to the Belgian art audience through a week of lectures, seminars, explorations and actions here documented. 

A compilaton of the Swiss duo’s extensive performance documentation. A large selection of photographs offers an overview of their live performative events. In German and English.

This exhibition catalogue brings together material from the artist’s private archive: images, texts, diaries and other ephemera that act as points of reference in Abramović’s oeuvre. The publication includes an essay by the exhibition’s curator, Sophie O’ Brien, and also tracks, through diary entries and photographs, Abramović’s journeys in Brazil in 2013, which informed her planning for the exhibition at the Serpentine Gallery.

MANUAL is a collaborative publication by performance artist Victoria Gray and writer-artist Emma Cocker. The publication is a response to Berthing Bone, a video work by Victoria Gray. MANUAL complrises photographic stills from the video Berthing Bone, alongside writing by Gray and Cocker.

A collectio of texts and images on the work of the German choreographer and dramaturg. Photos by Rosa Frank, Luca Giacomo Schulte, Jacqueline Chambord and Raimund Hoghe. Texts in English, French, German.