Catalogue > By Keyword > performance art
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Points of Convergence - Alternative Views on Performance
Investigates critical approaches to performance, ultimately aiming to stimulate new discussion between theorists and practitioners.
Video/Art: The First Fifty Years
The curator who founded MoMA’s video program recounts the artists and events that defined the medium.
Females
Everyone is female, and everyone hates it.’A genre-defying investigation into sex and lies, desperate artists and reckless politics, the smothering embrace of gender and the punishing force of desire.
Afterlives documentation
Documentation of the event considering questions of archives and legacies through the art and lives of four extraordinary and influential artists who have died in recent years – Ian Hinchliffe, Rose Finn-Kelcey, Lol Coxhill and Roger Ely.
The Animation of Contemporary Subjectivity in Tino Sehgal’s Ann Lee
Explores Ann Lee as the subject par excellence of contemporary neoliberal capitalism.
Postmodern wreckage in Kate McIntosh’s Worktable and Peter McMaster’s Gold Pie
Looks at two pieces which use the ‘scene’ of wreckage to pursue coherence.
The Forty-Year Rehearsal: The Wooster Group’s endless work in progress
On observing the Wooster Group process.
How We Die is How We Live Only More So
Exhibition publication: Misbehaving Bodies, Wellcome Collection, 29 May 2019 – 26 January 2020.
Part of the Library of Performing Rights (P3041).
TALKER #1-8
Eight issues of the interview zine about performance.
Kira O’Reilly: Untitled (Bodies)
The first major survey of the artist’s interdisciplinary practices. Bringing together newly commissioned and other writings by major thinkers in and beyond visual and performance studies, and extensive documentation of the artist’s work from two decades of practice, it navigates through and between performance, biotechnical practices, image-making, and writing.
