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A Bigger Splash: Painting after Performance
A Bigger Splash: Painting After Performance takes a new look at the dynamic relationship between performance and painting from 1950 to the present day. Published on the occasion of the exhibition of the same title at the Tate Modern, 14 November 2012 – 1 April 2013.
Martha Wilson Sourcebook: 40 Years of Reconsidering Performance, Feminism, Alternative Spaces
Martha Wilson Sourcebook is the first in a new publication series by ICI that offers a fresh perspective on social, political, and cultural issues impacting artists’ practices. Each compendium is comprised of articles, letters, newspaper cuttings, extracts from books, and images that an artist selects from their own archive and annotates with personal commentaries on the themes that arise. By using this subjective approach as a lens through which to rediscover pivotal debates in art and reconsider seminal texts, as well as to introduce little-known or out-of-print material, the Sourcebook series places emphasis on the histories and theories that have had a formative influence on an artist’s thought process.
Midnight at the Palace: My Life as a Fabulous Cockette
In this richly detailed memoir, Pam Tent offers a fascinating glimpse into the tumultuous life of a liberation movement – both artistic and sexual – whose influence is still apparent in the worlds of theatre, music, fashion, gay politics, gay spirituality, and urban club life.
Still Life
This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)
Systems End: Contemporary Art in Austrailia (ART: Asia Pacific)
Critical Live Art
This item is part of the ‘Glimpses of before: 1970s UK Performance Art’ Study Room Guide by Helena Goldwater (P2497)
Liveartwork Issue 5
Contemporary live art showcase including performances from the UK, USA and Spain.
Identity, Performance and Technology: Practices of Empowerment, Embodiment and Technicity
*currently unavailable*
Investigates the implications of technology on identity in embodied performance.
Sleeping Beauty, Part 1, first night
There was once a sleeping woman. She was betrothed at birth, unknowingly. She hid in the forest until she was a true woman. At first glance she fell in love with a noble man. Her heart was taken. A witch tried to kill her and her love. A spell was put on her family and her castle. They all slept for over a hundred years. At last, the noble prince understood and at true love’s kiss she awoke.
Marina Abramović / The Abramović Method
The catalogue ifrom The Abramović Method exhibition in Milan 2012