Catalogue > By Keyword > performance art
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On the Move in Hong Kong
Dead Art
Intervention at the Museum of Contemporary Art, Sydney, about the lack of local live art in the curatorial vision of one of Australia’s foremost contemporary art institutions.
Part of the Library of Performing Rights (LPR) (P3041).
Mourning Sex: Performing Public Memories
Considers what sustained attention to the affective force of trauma might yield for critical theory.
Performance and More
Collection of stills documenting the Greek artist’s work.
American Mantra and Other Rituals
A Spanglish music drive-by that rifles on media as religion. 10 tracks.
Performance Saga - Interview 08 - Alison Knowles
Video, English spoken with German subtitles, recorded 2003 in New York City, published 2008, duration 52 minutes.Accompanying booklet REF. P1232. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.
Performance Saga - Interview 06 - Joan Jonas
In her interview with Andrea Saemann and Chris Regn, Joan Jonas gives glimpses into her way of thinking and the beginnings of her career as an artist. 53 minutes. Recorded 2003.
Includes a booklet with an article by Katrin Grögel (P1230).
NIPAF ‘08
Catalogue of The 13th Nippon International Performance Art Festival, Japanese and English.
Performance Saga - Interview 08 - Alison Knowles
Booklet in German and English Accompanying dvd REF. D1144. Series 8 of Performance Saga: Encounters with Women Pioneers of Performance Art. Interviews by Andrea Seamann and Chris Regn. Text by Martina Papiro. Alison Knowles is a founding member of the New York Fluxus group and has participated in its actions and exhibitions ever since its inaugural concert in 1962. She considers Art as a process: what counts for her is the act, not the object. The dimension of sound often plays a significant role in her performances, which are radically undramatic and deeply rooted in everyday life.
NIPAF ‘07
Catalogue of The 13th Nippon International Performance Art Festival, Japanese and English.
