Editor: Judie Christie, Richard Gough, Daniel Watt | Reference: P0837 | ISBN: 978-0-415-37258-9 | Type: Publication
Explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies and perspectives from leading international theatre practitioners and academics.
This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115)
Explores contemporary approaches which have sought to renew criticism’s energies in the wake of a ‘theatrical turn’ in recent visual arts practice, and the emergence of a ‘performative’ arts writing over the past decade or so.
This item is part of the Study Room Guide: On Falling by Amy Sharrocks (P2249) and the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)
Split Britches: Lesbian Practice/Feminist Performance, Sue-Ellen Case, Lois Weaver, Peggy Shaw, Deborah Margolin, an anthology of Split Britches play texts, including programme notes, performance photographs, and a critical, historical introduction
Introductory textbook in Performance Studies for students in performance studies, theatre, performing arts and cultural studies. Comprehensive reference material including many performance forms, their history and those who perform them. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793)
