1960s 1970s Allen Ginsberg America Annea Lockwood art avant-garde Canada Charles Morrow Dick Higgins Emmett Williams film Gertrude Stein Guy de Coinet Jack Kerouac John Cage John Giorno Jon Gibson literature music performance writing Philip Corner Phillip Glass poetry Robert Wilson theatre USA

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Amelia Jones BELLYFLOP criticism distribution Exuent LADA live art Maddy Costa Mary Paterson Megan Vaughn memory Peggy Phelan performance performance writing Philip Auslander production reflection Something Other SPILL Writing

apocalypse Correspondence Dee Heddon dramaturgy Imitation of Life Lenora Champagne performance writing scenography socially engaged Storm from Paradise The Carrier Frequency theatre Tim Etchells

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15 Minutes to Comply audience creative process documentation Europe failure filming funding funding application Germany interviews kitchen lectures methodology performance performance writing Room Service Super Night Shot theatre UK

Alan Read Augusto Corrieri Barry Laing body Carl Lavery collaboration conversation criticism Daniel Ladnar dialogues documentation durational Emma Brodzinski Esther Pilkington experimental performance Gary Winters Gregg Whelan John Hall language Larry Lynch Lone Twin narrative Nina Tecklenburg participation Patrick Primavesi performance performance text performance writing photography reading Rebecca Shatwell Relations Speeching Sylvie Gilbert theatre theory Thomas Frank walking water

Alex Eisenberg Alex Hardy criticism David Berridge Éilis Kirby Emma Cocker essay Fiona Fullam Jenny Lawson John Pinde Pablo Chernor Patricia Lyons performance writing Pete McPartian Rachel Lois Clapham

Gertrude Stein Marjorie Perloff performance performance writing poetry Ric Allsopp text

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