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1686 results | Page 106 of 169

Dave’s Drop-In Centre
Artist/Author: David Hoyle | Reference: D1779 | Type: DVD

A six week performance program at the Royal Vauxhall Tavern (2009).

This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195)

A Village Stroll with David Hoyle At Home with David Hoyle David Hoyle drag gender Manchester (So Much To Answer For) Nathan Evans Natural Human performance queer Royal Vauxhall Tavern

Photographs from Manuel Vason’s Encounters
Artist/Author: Manuel Vason, Alice Maude-Roxby | Reference: A0372 | Type: Article

Find in misc. articles folder 2. Photocopied from publication Live Art On Camera: Performance and Photography, ed. Alice Maude-Roxby (John Hansard Gallery, 2007), pp. 51-54.

Alice Maude-Roxby archive documentation Dominic Johnson encounters Manuel Vason performance photography

Geometries of Trust: Some Thoughts on Manuel Vason and Photographic Conditions of Performance
Artist/Author: Dominic Johnson, Manuel Vason | Reference: A0373 | Type: Article

Find in misc. articles folder 2

collaboration documentation Dominic Johnson encounters Manuel Vason performance photographs photography

You Have To Believe We Are Magic
Artist/Author: Emma & Georg | Reference: D1780 | Type: DVD

Emma & Georg investigate amateurish strategies.

performance

Good Luck Everybody. Lone Twin Journeys Performances Conversations
Editor: David Williams, Carl Lavery | Reference: P1619 | ISBN: 978-1-906499-02-0 | Type: Publication

The book contextualises, documents and analyses Lone Twin’s work. It explores their interest in live performance, journeys, places, language, narrative and image, and includes original interviews, essays, performance texts and photographs.

This item is referenced in the Making Routes Study Room Guide (P1964).

Alan Read Augusto Corrieri Barry Laing body Carl Lavery collaboration conversation criticism Daniel Ladnar dialogues documentation durational Emma Brodzinski Esther Pilkington experimental performance Gary Winters Gregg Whelan John Hall language Larry Lynch Lone Twin narrative Nina Tecklenburg participation Patrick Primavesi performance performance text performance writing photography reading Rebecca Shatwell Relations Speeching Sylvie Gilbert theatre theory Thomas Frank walking water

On ‘Publics’ A feminist constellation of key words
Artist/Author: Jill Dolan | Editor: Melanie Bennet, Richard Gough, Laura Levin, Marlis Schweitzer | Reference: A0362 | Type: Article

Traces Dolan’s key terms – ‘publics’, ‘feelings’, ‘practice’, ‘utopian performatives’ and ‘performance’ – personally and politically rather than from a strictly scholarly perspective.

affect theory criticism feminism feminist gaze gender Jill Dolan LGBT performance performance research spectatorship utopia

To Whom it May Concern
Artist/Author: Helena Hamilton | Reference: P1614 | Type: Publication

A book of 23 images documenting a three week durational project at PS2 (Belfast).

This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)

drawing durational Helena Hamilton Ireland performance

Walking, Writing and Performance
Artist/Author: Deirdre Heddon, Carl Lavery and Phil Smith | Editor: Roberta Mock | Reference: P1612 | Type: Publication

Charts three projects by performers who generate autobiographical writing by walking through inspirational landscapes.

This item is referenced in the Making Routes Study Room Guide (P1964).

autobiography Carl Lavery Crab Steps Aside Deirdre Heddon ethics landscape memory Mourning Walk performance Phil Smith ritual site specific walking writing

Aomori Project: Of Landscapes Remembered
Artist/Author: Sioned Huws | Reference: D1750 | Type: DVD

A touring project and performance, inviting local guest performers through workshops.

body Japan landscape memory performance repetition Sioned Huws Snowdonia snowfall TPAM: Tokyo Performing Arts Meeting Wales Yokohama

Big Girls Do Big Things
Artist/Author: Eleanor Bauer | Reference: D1753 | Type: DVD

Invites the audience into the depths of the surface-oriented world of the performer, where the personal and the material are mutually imminent, where style is content, the ‘how’ is inseparable from the ‘what’, and the difference between fiction and reality is irrelevant.

See Also: Big Girls Do Big Things (D1751)

Eleanor Bauer performance solo visibility vulnerability

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