Catalogue > By Keyword > performance
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Selected Works 2008-2010
DVD includes: Videos (Private View 2008, Room 237 2009, 3 Press Up 2010), Press Release, CV, Photo Documentation and Reviews
The Bearer
Michelle Browne: The Bearer. A 2.5 hour durational performance. Interakcje International Art Festival. Piotrkow Trybunalski, Poland. May, 2009. This item is part of Brutal Silences: the Study Room Guide On Live Art In Ireland by Anna Maria Healy and Helena Walsh (P1661)
Gravity
Sinead and Hugh O’Donnell: “Gravity” – Gallery Animal. Santiago, Chile 2009. See Also: Sinead and Hugh O’Donnell “Student Workshops” (D1747)
Text and Performance Quarterly: Disability Studies Special Issue
Text and Performance Quarterly. Volume 28 Numbers 1-2 January-April 2008
The Heather Lang Show
A double one-woman show: double the woman, double the show. An amalgam of theatre genres and familiar characters; nothing is too outrageous.
Site-Specific Performance
Suggests organizing principles, innovative strategies, methods and exercises for making theatre in a variety of contexts and locations, and through examples, case studies and projects develops distinctive theoretical insights into the relationship of site and performance, scenario and scenography.
Let’s Twist Again: Performance in Vienna from 1960 until today
In German and English
The Emancipated Spectator
Asking exactly what we mean by political art or the politics of art, Rancière goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?
Access All Areas: Symposium Three ‘Throwing The Body Into The Fight’
Digital Reference refers to folder containing four movies. Manuel Vason recording (see also British Library footage, D1619).
Access All Areas: Symposium Two ‘My Body Did Everything I Asked it’
Digital reference is folder containing four movies. Footage by Manuel Vason, (see also British Library recording, D1618).
