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1686 results | Page 113 of 169

Mzwakhe Mbuli

Artist/Author: Dan Furst | Reference: A0485 | Type: Article

Actor Dan Furst on the life and work of South African poet and performer Mzwakhe Mbuli.

A question of difference

Artist/Author: Mark Gaynor | Reference: A0484 | Type: Article

Mark Gaynor on the relation between theatre and fine art. In occasion of a debate published on the 8th National Review of Live Art.

Showing the wires

Artist/Author: Steve Rogers | Reference: A0482 | Type: Article

Steve Rogers in conversation with Julian Maynard Smith, founder of Station House Opera.

Breaking the frame

Artist/Author: Nick Kaye | Reference: A0483 | Type: Article

On the use of extreme in performance.

Unmarked, the politics of performance

Artist/Author: Peggy Phelan | Reference: P0118 | Type: Publication

An analysis of the fraught relation between political and representational visibility in contemporary culture.

This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Margate’s 1st Beaux Arts Ball

Artist/Author: Harold Offeh | Reference: D1459 | Type: DVD

Dead Season Live Art 2010, Margate. Limbo Arts. See P1496 for full Dead Season Live Art programme.

Contesting Performance: Global Sites of Research

Artist/Author: various | Editor: Jon McKenzie, Heike Roms, C J W L Wee | Reference: P1484 | ISBN: 978-0-230-00845-8 | Type: Publication

A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.

Art In Everyday Life

Artist/Author: Linda Montano | Reference: P0015 | Type: Publication

Includes descriptions of Montano’s performances written by Montano herself. The performances described span from 1964 to 1980. Also includes text by Montano on ‘Art in everyday life’.

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