Artist/Author: Fiona Wilkie | Reference: A0512 | Type: Article

This item is referenced in the Making Routes Study Room Guide (P1964). This item is part of the Study Room Guide to Remoteness (P2600).

Artist/Author: Various | Reference: P1940 | ISBN: 978-989-20-2880-4 | Type: Publication

A collection of posters which documents the activities each year at A Sala and two books with artist’s biographies.

Artist/Author: Victoria Firth | Digital Reference: EF5059 | Type: Digital File

Part of Fresh AiR Platform.

Artist/Author: Various - Live Art Development Agency compilation | Reference: V0510 | Type: Video

Compilation tape prepared for the Liverpool Biennial.

Artist/Author: Forced Entertainment / Tim Etchells | Reference: V0522 | Type: Video

XXXmissing

Artist/Author: Katy Deepwell | Editor: Katy Deepwell | Reference: P0412 | ISBN: 14610434 | Type: Publication

Email interview by Katy Deepwell with Karen Finley. From n. paradoxa international feminist art journal, volume 12

Artist/Author: Oreet Ashery | Reference: D0063 | Type: DVD

Artist/Author: Hayley Newman | Reference: P0257 | ISBN: 0 907623 37 9 | Type: Publication

Published on the occasion of Hayley Newman’s exhibition The Daily Hayley at Matt’s Gallery, London 15-30 September 2001. Includes an essay by Aaron Williamson and a self interview with Newman by Newman. This item is part of the Study Room Guide On shit, piss, blood, sweat and tears by Lois Keidan (P2195), the Study Room Guide in Search of a Documentology by Marco Pustianaz (P1115) and the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Editor: Mat Hawthorne | Reference: P0280 | ISBN: 0 907738 67 2 | Type: Publication

Seeks to question ideas of legitimisation of the artist through publication.

This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433)

Artist/Author: Baz Kershaw | Reference: P0370 | ISBN: 978-0415057639 | Type: Publication

Addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice.

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).