Catalogue > By Keyword > performance
1686 results | Page 31 of 169
Letters from the State of Chihuahua - video
Documentation from the performance at the ASU mainstage.
Part of the Library of Performing Rights (LPR) (P3041).
Pocket Theatre M documentation
Artist biography and promotional material for Pocket Theatre M (Džepno pozorište M), founded on the premises of a psychiatric clinic.
Part of the Library of Performing Rights (LPR) (P3041).
Wheelchair Journeys
Unedited documentation of the 2006 street action. Part of TARIDS, Ispwich.
Part of the Library of Performing Rights (LPR) (P3041).
Old Chatham County Jail
5 minute video.
Part of the Library of Performing Rights (LPR) (P3041).
Blanche-Neige
Along term project involving multiple appearances of the Snow White character in a large number of unique events.
Documentation of three 2004 performances: Morsang sur Orge (France), Foundation Cartier pour l'art contemporain (France) and Arsenic Theatre (Switzerland).
Part of the Library of Performing Rights (LPR) (P3041).
Politics of affection and uneasiness
From the Dance and Politics edition. In Slovenian and English.
Part of the Library of Performing Rights (LPR) (P3041).
The Radical in Performance: Between Brecht and Baudrillard
Investigates the crisis in contemporary theatre, and celebrates the subversive in performance.
Part of the Library of Performing Rights (LPR) (P3041).
Beginner’s Guide to Community-Based Arts
Ten transformative local arts projects come alive in this comics-illustrated training manual for youth leaders and teachers.
Part of the Library of Performing Rights (LPR) (P3041).
Kazuo Ohno’s World: From Without and Within
Brings together two distinct but related works: the first, Food for the Soul, is an interview with the artist about his father and his father's dances. The second, Workshop Words, is a collection of talks given by Ohno to his students.
Part of the Library of Performing Rights (LPR) (P3041).
Theatre at the Crossroads of Culture
Despite the problematic politics of cultural exchange in the theatre, interculturalism is not a one-sided process. Using the metaphor of the hourglass to discuss the transfer between source and target culture, Pavis asks what happens when the hourglass is turned upside down, when the `foreign’ culture speaks for itself.
Part of the Library of Performing Rights (LPR) (P3041).