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Catalogue > By Keyword > performance

1686 results | Page 35 of 169

The Walking Reading Group on Participation

Editor: Lydia Ashman, Ania Bas and Simone Mair | Reference: P3197 | Type: Publication

Publication on the TWRG which explored structure in and around participation – be it a group, time or space. Three parallel walks, all based on the same texts, took place in three cities: Bilbao, London and Bolzano.

In English, Spanish, Italian and German.

Is the Artist Present? - Live (and conscious) art at a Borderline

Artist/Author: Dror Harari | Editor: Ric Allsopp | Reference: A0727 | Type: Article

The essay interrogates Hadas Ophrat's piece Insomnia.

Towards a Poiesis of Critical Practice: 1000th LIVE and the politics of appearance

Artist/Author: Diana Damian Martin | Editor: Ric Allsopp and Kristen Kreider | Reference: A0724 | Type: Article

On the process and politics of live critical responses to a live stream of Forced Entertainment’s And on a Thousandth Night.

The Walking Reading Group

Editor: Lydia Ashman, Ania Bas and Simone Mair | Reference: P3199 | ISBN: 978-1-908452-55-9

Publication documenting the work of the WRG in 2013 and 2014.

Creating by Annotating: The director’s notebooks of Jan Fabre and Jan Lauwers

Artist/Author: Timmy De Laet, Edith Cassiers & Luk Van Den Dries | Reference: A0717 | Type: Article

Reversing the common understanding of annotation as a posterior act of adding information to already existing sources, this article argues that annotation also serves as a pre-performance procedure facilitating artistic creation.

a chodladh le carraig

Artist/Author: Skylar Brennan | Reference: P3195 | Type: Publication

Publication on the project conducted in October 2016. The artist slept with the same rock every night for one week.

Confronting the Institution in Performance: Liberate Tate’s Hidden Figures

Artist/Author: Liberate Tate | Reference: A0720 | Type: Article

Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group’s performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP’s hidden contracts.

My Neck Of The Woods

Artist/Author: Blast Theory | Reference: D2238 | Type: DVD

A live documentary made in collaboration with a group of young people, set on the streets of Manchester. To take part you go online and choose from 3 people’s streams.

Because of Hair; The Dichotomy of Culture and Identity

Artist/Author: Vivian Chinasa Ezugha | Reference: P3180 | Type: Publication

Using memories of her experience of masquerades in Nigeria, the artist employs movement and masks of hair as power objects, which conceal and reveal the black body, the black female.

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