Catalogue > By Keyword > performance
1686 results | Page 47 of 169
D.I.Y Too
A new book about “do it yourself” performance, with contributions made by over 30 arts practitioners and collectives. It’s a sequel of sorts – or rather; a continuation – to a recent text that platformed a growing community of voices in theatre, art, dance and performance making.
Artwash: Big Oil and the Arts
Published on the fifth anniversary of the BP Deepwater Horizon disaster, Artwash is an intervention into the unsavoury role of the Big Oil company’s sponsorship of the arts in Britain.
Fair Play
What is the quality of participation in contemporary art and performance? Fair Play: Art, Performance and Neoliberalism explores this question through the work of important contemporary artists and organizations including Marcus Coates, Phil Collins, Jeremy Deller, Michael Landy, Grayson Perry, Rachel Whiteread, Lone Twin, Punchdrunk, Tate Modern and the National Theatre.
Ocaña, 1973-1983: Acciones, Actuaciones, Activismo
Devoted to the largely forgotten Spanish artist; published for the eponymous exhibition. In Spanish, Catalan, Basque and English.
Pepe Espaliu
Monograph. Includes artworks and writings by Pepe Espaliu, introductory essay by Juan V. Aliaga, with additional essays by Adrian Searle and Marie-Laure Bernadac.
Gob Squad and the Impossible Attempt To Make Sense of It All
A 150 page reader for students and other particularly interested audience members stuffed full of texts, scripts, interviews and concept documents.
Acts of Intervention: Performance, Gay Culture, and AIDS
This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.
Close to the Knives: A Memoir of Disintegration
A collection of creative essays — a scathing, sexy, sublimely humorous and honest personal testimony to the Fear of Diversity in America.
Part of the Library of Performing Rights (LPR) (P3041).
Disidentifications: Queers of Color and the Performance of Politics
A look at how those outside the racial and sexual mainstream negotiate majority culture—not by aligning themselves with or against exclusionary works but rather by transforming these works for their own cultural purposes. Muñoz calls this process “disidentification,” and through a study of its workings, he develops a new perspective on minority performance, survival, and activism.
The Deadwood Stage - DIY documentation
Documentation from GETINTHEBACKOFTHEVAN’s DIY 10 project, which explored exertion, endurance, cliché and the epic using the musical Calamity Jane.
The project took place at Cambridge Junction. Part of LADA’s DIY.
4:38.
