Catalogue > By Keyword > performance
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Out From Under: Texts by Women Performance Artists
A collection of texts by several seminal women performance artists. Holly Hughes – 'World Without End'; Beatrice Roth – 'The Father'; Laurie Anderson – from 'United States'; Karen Finley – 'The Constant State of Desire'; Rachel Rosenthal – 'My Brazil'; Laurie Carlos, Jessica Hagedorn, Robbie McCauley – 'Teenytown'; Leeny Sack – 'The Survivor and the Translator'; Lenora Champagne – 'Getting Over Tom'; Fiona Templeton – 'Strange to Relate'.
Adrian Piper: Race, Gender and Embodiment
Adrian Piper's Mythic Being performances critically engaged wtih popular representations of race, gender, sexuality and class; confronting viewers and forcing them to reconsider assumptions about the social construction of identity. An in-depth analysis of Piper's work.
Enacting Others: Politics of Identity
Adrian Piper, Eleanor Antin, Anna Deavere Smith and Nikki S Lee have all crossed racial, ethnic, gender and class boundaries in works they have concieved and performed. Cherise Smith analyses their engagements with issues of identity through close readings of perfromances by each artist.
Deep End
Documentation of a site-specific performance made for the disused Marshall Street Baths, Soho and Star Dust commissioned by Live Art Development Agency for a Variety Weekend at the newly refurbished De La Warr Pavilion, Bexhill on Sea.
Soya Sauce and Ketchup Fight
Extract from “Soya Sauce and Ketchup Fight” street performance intervention in Trafalgar Square by Cai Yuan and Jian Jun Xi artistic duo known as “Mad for Real”.
The Salisbury Proverbs
Documentation of large scale performance using breeze blocks to build a temporary monument to celebrate Salisbury’s most famous and permanent one. Located and inspired by Salisbury cathedral, the piece involved 25 performers, singers and musicians, the Festival chorus and over 10,000 breeze blocks. The performance itself consisted of a network of proverbial and allegorical narratives which were given an architectural and sculptural form – a version of Breughel’s Netherlandish Proverbs.
The Midnight Special 1981
A show in which the performer stars as himself in the attempt of creating a late-night talk show, aired on January 23, 1981.
Study Room Guide / LADA Anthology: Dangerous Border Crossings (with thanks to Guillermo Gómez-Peña)
Themed collections of performance documentation and works for camera projects addressing issues of borders/border crossings
The Contested Scenography of Revolution
Review concerned with the politicisation of public spaces in the Arab territories where uprisings turn cities into the scenography of intervention.
Real Time Enabling Arts
Special issue of the Australian magazine (December 2013/January 2014) dedicated to art and disability programs, projects, artists and companies
