Documentation of the performances and presentations at Accion / Action MAD 09 festival in Spain. Participants: Eva Pérez (Valencia), Ryszard Piegza (Polonia), Antonio Gómez (España), nna Kalwajtys (Polonia), Isabel León (Cáceres), Angela García (Valencia), Guy Sioui Durand (Canadá), Carlos Felices (Madrid), J.M. Calleja (Mataró), Catie de Balmann (Francia) María Marticorena (A Coruña) John G. Boheme (Canadá), Esther Ferrer (España), Monika GUnther y Ruedi Schill (Suiza) AC La Muga Caula (Girona) Kai Lam (Singapur), Fernando Baena (Madrid) Kurt Johannessen (Noruega), Nezaket Ekici (Alemania) Denys Blacer (Reino Unido)

Documentation of the performances and presentations at Accion / Action MAD 08 festival in Spain. Participants: jacques van Poppel (Paises Bajos), Iris Nava (Mexico/Madrid), Helge Meyer (Alemania), Veltet & Crochet (Madrid), Eugenie Kuffler (Francia/USA), Carlos Llavata (Valencia), Nieves Correa (Madrid), Ben Patterson (Alemania/USA), Denys Blacker (Reino Unido/España), Pere Noguera (Girona), Angie Dight (Escocia), Pancho López (México), Mary Brennan (Escocia), Joan Casellas (Barcelona), Paco Nogales (Madrid), Analía Beltrán (Madrid), Belén Cueto (Madrid), Nikki Milican (Escocia)

The Mayor’s Cultural Strategy addresses concerns facing the sector at a time of considerable economic uncertainty and rapid change, particularly with regards to government policy and investment, and considers how within this context it can maximise opportunities for the cultural life of London to flourish.

With the participation of Tomoe Shizune and Hakutobo. Accompanying homonymous publications REF P1102

With the participation of Tomoe Shizune and Hakutobo. English and Chinese.For accompanying dvd see D0977.

Introductory textbook in Performance Studies for students in performance studies, theatre, performing arts and cultural studies. Comprehensive reference material including many performance forms, their history and those who perform them. This item is part of the Study Room Guide On (W)Reading Performance Writing by Rachel Lois Clapham (P1433) and the Study Room Guide: A Bi(bli)ography of Insurrectionary Imaginati by John Jordan (P0793)

Addresses fundamental questions about the social and political purposes of performance through an investigation into post-war alternative and community theatre. It proposes a theory of performace as ideological transaction, cultural intervention and community action, which is used to illuminate the potential social and political effects of radical performance practice.

This item is part of the Study Room Guide on Performance, Politics, Ethics and Human Rights by Adrien Sina (P0661)

Part of the Library of Performing Rights (LPR) (P3041).