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TALKER #1-8
Eight issues of the interview zine about performance.
The Bodies That Remain
A collection of texts and images on the bodies of artists and writers who battled with the frustration of their own physicality and whose work reckoned with these limitations and continued beyond them.
World-Making: Race, Performance, and the Work of Creativity
Theorizes the racialized structures of inequality that pervade theater and the arts.
Part of The Library of Performing Rights (P3041)
Disobedient Theatre Alternative Ways to Inspire, Animate and Play
Divided into two parts, `In the World’ and `In the Room’, the book presents a rounded picture of the possibilities of a `disobedient’ culture and includes many games and exercises for creative practitioners.
Meredith Monk
An absorbing portrait of an artist whose career spans three decades of American avant-garde performance. Collecting writings by Monk herself, along with significant reviews, essays, interviews, and photographs of Monk’s unique performance events, the book establishes her as one of the great treasures of contemporary American culture.
Refugee Performance: Practical Encounters
Exploring theater works created for, by, and with refugees, this hybrid collection of essays combines newly commissioned scholarly work with examples of writing by refugees themselves.
Part of the Study Room Guide on Live Art and Displacement (P3107).
Contemporary Theatre Review: Dealing with Martin Crimp
T, his special issue of Contemporary Theatre Review focuses on a single writer, contemporary British playwright Martin Crimp. Includes a review of Ron Athey’s monography “Pleading in the Blood” and Jennifer Doyle’s book “Hold it Against me”.