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Catalogue > By Keyword > politics

942 results | Page 37 of 95

Is the Artist Present? - Live (and conscious) art at a Borderline

Artist/Author: Dror Harari | Editor: Ric Allsopp | Reference: A0727 | Type: Article

The essay interrogates Hadas Ophrat's piece Insomnia.

Performance Works 2008-2017

Artist/Author: Soni Kum | Reference: D2240 | Type: DVD

Includes: Foreign Sky, Beast of Me and Still Hear the Wound.

Catalogued with a spanned DVD.

Elephant Head on White Body: Reflexive Interculturalism in Ganesh Versus the Third Reich

Artist/Author: Marcus Tan | Reference: A0715 | Type: Article

Analysis of representation and interculturalism in Back to Back Theatre's production.

Chinese Performing Arts Yearbook 2015

Reference: P3187 | Type: Publication

Comprehensive overview of China's performance art in 2015. Includes essays, five case studies and information on over 100 artists. In Mandarin.

Confronting the Institution in Performance: Liberate Tate’s Hidden Figures

Artist/Author: Liberate Tate | Reference: A0720 | Type: Article

Weaves together the various voices for the art collective to offer readers both an analysis and an experience of the group’s performance: the inner voice of the performance; the critical voice of the witness; and the frustrating redactions reflecting Tate and BP’s hidden contracts.

Staging an Exilic Autobiography: On the pleasures and frustrations of repetitions and returns

Artist/Author: Natasha Davis and Yana Meerzon | Reference: A0718 | Type: Article

Expanding on the ideas of double wound (Caruth) and nostalgia (Aciman), this article discusses Davis' poetic autobiographic performances as examples of the terror and relief of repeating exilic pain.

Early video works

Artist/Author: Soni Kum | Reference: D2241 | Type: DVD

Includes: Foreign Sky, Beast of Me, Still Hear the Wound

Catalogued with a spanned DVD.

Because of Hair; The Dichotomy of Culture and Identity

Artist/Author: Vivian Chinasa Ezugha | Reference: P3180 | Type: Publication

Using memories of her experience of masquerades in Nigeria, the artist employs movement and masks of hair as power objects, which conceal and reveal the black body, the black female.

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