A catalogue of one of the most important contemporary Roma artists: a comprehensive overview of her oeuvre and a concise insight into the complex questions of the life of ethnic minorities. In Slovenian, Roma and English.

Part of the Study Room Guide on Live Art and Displacement (P3107).

First of the four special editions of the journal, focusing on Documenta 2017. Compiling research, critique and literature, the publicaparallels the work on the exhibition and helps frame its concerns.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Covering 21 countries and more than 250 artists, this text demonstrates the manner in which performance art in the region developed concurrently with the genre in the West, highlighting the unique contributions of Eastern European artists.

Part of the Study Room Guide on Live Art and Displacement (P3107).

A fog of information and images has flooded the world: from advertising, television, radio and film to the information glut produced by the new economy. With the rise of social networking, contemporaries, peers and friends are all suddenly selling us the ultimate product: themselves. Thompson interrogates the implications of these developments for those dedicated to socially engaged art and activism.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Exhibition catalogue with documentation from the installations in Cardiff, Portsmouth, Derry, London and Berlin.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Jones travels the border regions of the world, documenting the billions of dollars spent on border security projects, and their dire consequences for the majority of the people in the world.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Describes and documents politically inspired art — global art practices that draw attention to grievances and demand the transformation of existing conditions through actions, demonstrations, and performances in public space. Includes essays by leading thinkers, images of art objects, illustrations, documents, and other material as well as case studies by artists and activists.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Delivers a counter blow to the rampant culture of fear fuelled by the likes of CNN, Fox and the Daily Mail. Exploring contemporary and historical manifestations of this controlling force, the conversations in this collection go beyond just scrutinizing what constitutes rational versus irrational fear, or identifying ways in which human fears are manipulated by political players. They reveal how fear antagonizes and changes our subjectivity and, crucially, how the political use of fear has been resisted in different times and places, by different people across the globe.

Part of the Study Room Guide on Live Art and Displacement (P3107).

How did performance artists of the ’60s and ’70s, famous for their opposition both to lasting art and the political establishment, become the foremost monument builders of the ’80s, ’90s and today? This book argues that the centrality of performance to monuments and indeed public art in general rests not on its ephemerality or anti-authoritarian rhetoric, but on its power to build interpersonal bonds both personal and social.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Examining the opportunities presented by the real-time generation of new, relatively unregulated content online, this publication evaluates the prominent role that new media has come to play in artistic practices – and social movements – in the Arab world today.

Part of the Study Room Guide on Live Art and Displacement (P3107).