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Catalogue > By Keyword > politics

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What We Made: Conversations on Art and Social Cooperation

Artist/Author: Tom Finkelpearl | Reference: P3119 | ISBN: 978-0822352891 | Type: Publication

Examines the activist, participatory, coauthored aesthetic experiences being created in contemporary art.  In a series of fifteen conversations, artists comment on their experiences working cooperatively, joined at times by colleagues from related fields, including social policy, architecture, art history, urban planning, and new media.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Latifa Echakhch

Editor: Florence Derieux | Reference: P3114 | ISBN: 978-3037642009 | Type: Publication

The artist investigates cultural transfer and displaced identity through installation, sculpture, video and performance, culturally stereotyping artefacts such as flagpoles, Moroccan tea glasses and India ink in her art. Exhibition catalogue.

Part of the Study Room Guide on Live Art and Displacement (P3107).

We Roma - a Critical Reader in Contemporary Art

Editor: Daniel Baker and Maria Hlavajova | Reference: P3112 | ISBN: 978-9077288160 | Type: Publication

Inquires into the contemporary moment through the lens of Roma artistic and intellectual practices, gathering knowledge from the Roma way of life.

Part of the Study Room Guide on Live Art and Displacement (P3107).

‘Illegal’ Traveller: An Auto-Ethnography of Borders

Artist/Author: Shahram Khosravi | Reference: P3126 | ISBN: 978-0230336742 | Type: Publication

Explores the issue of borders and border crossing in the era of globalization and transnationalism, analyzing how the nation-state system regulates movements of people.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Acting Together Volume I: Resistance and Reconciliation in Regions of Violence

Editor: Cynthia E. Cohen, Roberto Gutiérrez Varea, Polly O. Walker | Reference: P3116 | ISBN: 978-0981559391 | Type: Publication

A series on Performance and the Creative Transformation of Conflict, describing peacebuilding performances in regions beset by violence and internal conflicts. The first volume emphasizes the role theatre and ritual play both in the midst and in the aftermath of direct violence.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Performance in Place of War

Artist/Author: James Thompson, Jenny Hughes and Michael Balfour | Reference: P3134 | ISBN: 978-1906497149 | Type: Publication

The book looks at theatre and performances that often occur quite literally as bombs are falling, as well as during times of ceasefire and in the aftermath of hostilities. Includes interviews with artists, short play extracts, and photographs.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Fiction Reconstructed: Eastern Europe, Post-Socialism & the Retro-Avant-Garde

Artist/Author: Marina Grzinic | Reference: P3122 | ISBN: 978-3852661537 | Type: Publication

A radical theorization of a particular (Eastern European) position / repoliticization, this book offers a very detailed inquiry into specific Post-Socialist art and media strategies.
Part of the Study Room Guide on Live Art and Displacement (P3107).

Assemblage: An Art Series on Identity, Memory, and Displacement

Editor: Nisha Sajnani | Reference: A0709 | Type: Article

Assemblage reflects interdisciplinary aesthetic practices that call attention to displacement as a disruption in the continuity of place, relationships, identity, movement, memory, and time resulting in a collage of preserved artefacts and mediated possibilities.

In misc folder 7.

Part of the Study Room Guide on Live Art and Displacement (P3107).

Beyond Immersive Theatre: Aesthetics, Politics and Productive Participation

Artist/Author: Adam Alston | Reference: P3101 | ISBN: 978-1137480439 | Type: Publication

Does immersive theatre model a particular kind of politics, or a particular kind of audience? What’s involved in the production and consumption of immersive theatre aesthetics? Is a productive audience always an empowered audience? And do the terms of an audience’s empowerment stand up to political scrutiny?

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