This anthology examines the expanded field of the moving image in recent art, tracing the genealogies of contemporary moving image work in performance, body art, experimental film, installation and site-specific art from the 1960s onwards.

The publication explores art created in public spaces in Brazil, since 2000. In Portuguese and English. Published under the Creative Commons licence. 

Charting the rise of the immersive theatre phenomenon, this is the first survey of immersive theories and practices for students, scholars and practitioners of contemporary performance. It includes interviews with immersive artists and examines key topics such as site-specific performance and immersive technologies.

This book presents a theory of audience participation in the theatre, based on the importance of the moment of invitation and how an event changes character when such an invitation is made.

Devoted to the largely forgotten Spanish artist; published for the eponymous exhibition. In Spanish, Catalan, Basque and English.

An overview of Poro: Brazilian company engaged in poetic, ironic and political actions. In Portuguese and English.

A revised and expanded version of a special issue of the journal October (Winter 1997) that was devoted to the work of the Situationist International (SI). The first section of the issue contained previously unpublished critical texts, and the second section contained translations of primary texts that had previously been unavailable in English.

This volume examines the ways gay men have used theatre and performance to intervene in the AIDS crisis. It discusses dramatic texts and public performances–from cabarets and candlelight vigils to full-scale Broadway productions that have shaped, and been shaped by, the history of AIDS in national, regional, and local contexts.

A collection of creative essays — a scathing, sexy, sublimely humorous and honest personal testimony to the Fear of Diversity in America. 

Part of the Library of Performing Rights (LPR) (P3041).

This book and the exhibition launched with it represent a powerful exploration in both image and text of the impact of the AIDS crisis. Different voices reveal the profound inadequacies in our attitudes to disease.