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Catalogue > By Keyword > politics

942 results | Page 65 of 95

Communist Bigamist: Two Loves Stories

Artist/Author: Vaginal Davis and Susanne Sachsse | Reference: D1866 | Type: DVD

2 DVD documentation and soundtrack excerpts, plus postcards documenting the performance Communist Bigamist: Two Loves Stories.

Opavivara

Artist/Author: Opavivara | Reference: D1875 | Type: DVD

Documentation of the Opavivara collective performances: 2005 – 2011.

Mat Fraser profile

Artist/Author: Paul McCann | Reference: D1873 | Type: DVD

Short introduction to Matt Fraser’s work.

Living as Form : Socially engaged art from 1991 - 2011

Artist/Author: Various | Editor: Nato Thompson | Reference: P1920 | ISBN: 978-0-262-01734-3 | Type: Publication

Living as Form grew out of a major exhibition at Creative Time in New York City. Like the exhibition, the book is a survey of more than 100 projects that use aesthetics to affect social dynamics.

Unlimited Global Alchemy

Artist/Author: Rachel Gadsden | Editor: Andrew Mitchelson | Reference: P1909 | ISBN: 978-0-9565621-4-2 | Type: Publication

Limited edition catalogue, edited by Andrew Mitchelson and designed by David Caines, carries images of artworks, a DVD and texts.

Experience and Innocence

Artist/Author: John Waters | Editor: Drew Daniel | Reference: A0509 | Type: Article

Drew Daniels interviews John Waters.

Dark Matter : Art and Politics in the Age of Enterprise and Culture

Artist/Author: Gregory Sholette | Reference: P1907 | ISBN: 978-0-7453-2752-5 | Type: Publication

Investigation into collective and collaborative creative practice of marginalised artists of the art world. Reverend Billy Talent and the political economy of the art world. This article is referenced in the Platform Study Room Guide (P1820) and can be found in the Miscellaneous Articles 4 Binder.

Going Public

Artist/Author: Boris Gray | Editor: Julieta Aranda, Brian Kuan Wood, Anton Vidokle | Reference: P1918 | ISBN: 978-1-934105-30-6 | Type: Publication

Exploration of art from the position of the producer, who does not ask what it looks like or where it comes from, but why it exists in the first place.

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