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Arts of the Working Class: the Americas Issue
The 7th issue of the newspaper is the first one to focus on a region; it commits to reconsidering Americas colonial stories and their marks on its present global condition. In multiple languages.
Part of the Library of Performing Rights (P3041)
Touched Bodies: The Performative Turn in Latin American Art
What is the role of pleasure and pain in the politics of art? Polgovsky Ezcurra approaches this question as she examines the flourishing of live and intermedial performance in Latin America during times of authoritarianism and its significance during transitions to democracy.
Part of the Library of Performing Rights (P3041).
The Twenty-First Century Performance Reader
Combines extracts from over 70 international practitioners, companies, collectives and makers from the fields of dance, theatre, music, live and performance art, and activism to form a sourcebook for students, researchers and practitioners.
Hillbilly Tragedy
On what’s not playing in American theatres in the 2017–18 Season.
Performing Identities: Performative Practices in Post-Handover Hong Kong Art & Activism
Doctoral thesis printed in limited edition of 20 copies; focuses on performative practices and the performativity of artists and their activist counterparts in the Umbrella Movement (2014).
Part of the Library of Performing Rights (P3041)
CHOREOGRAPHY / KOREOGRAFI 2
Second edition of the anthology consisting of texts written by artists active within the field of dance and choreography in the Nordic countries.
In Nordic languages and English.
Sensual Excess: Queer Femininity and Brown Jouissance
Works against the framing of black and brown bodies as sexualized, objectified, and abject, and offers multiple ways of thinking with and through sensation and aesthetics.
Part of the Library of Performing Rights (P3041).
Politicizing Obscenity
On Unicorn Gratitude Mystery by Karen Finley.
Tasteless, Crude, and Politically Progressive
On Christoph Schlingensief, solo exhibition at MoMA S1, March-August 2014.
Black Performance Theory
Considering how blackness is imagined in and through performance, the contributors address topics including flight as a persistent theme in African American aesthetics, the circulation of minstrel tropes in Liverpool and in Afro-Mexican settlements in Oaxaca, and the reach of hip-hop politics as people around the world embrace the music and dance.
Part of the Library of Performing Rights (P3041)