Catalogue > By Keyword > postcolonialism
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Protesting Exhibit B in London: Reconfiguring Antagonism as the Claiming of Theatrical Space
The article analyses discourses surrounding the cancellation of Brett Bailey’s performance by the Barbican in September 2014.
Isaac Julien: True North Fantome Afrique
This book documents the two most recent works by the British artist and filmmaker Isaac Julien.
Erotic Ambiguities – The Female Nude in Art
A study of how contemporary women artists have reconceptualised the figure of the female nude.
Common Skin
This volume delve into the work of artist Myriam Mihindou from philosophical and practical standpoints.
Diaspora, Memory, Place: David Hammons, Maria Magdalena Campos-Pons, Pamela Z
An indepth analysis of the work of three significant African diaspora artists – David Hammons, Maria Magdalena Campos-Pons and Pamela Z – with essays examining site specific installations and peformances concieved by these artists for Dak'Art 2004, the Biennale of Contemporary African Art
Planes of Composition: Dance, Theory and the Global
Engages critical dance studies, philosophy, performance studies, cultural and post-colonial studies to propose new and creative dialogues between these disciplines.
The Fact of Blackness – Fanz Fanon and Visual Representation
The publication examines the contemporary legacy of the psychoanalyst, political philosopher, and writer Frantz Fanon in the work of leading multicultural arts practitioners and critical writers.
Remaking History
Part of Dia Art Foundation series “Discussions in Contemporary Culture”, Number 4. Essays by Edward W. Said, Paula A. Treichler, Cornel West, Michele Wallace, Homi K. Bhabha, Gayatri Chakravorty Spivak and others.
The Special and the Unusual - Listening to Orlan
Live Art Letters – A Live Art Research Journal. March 1999. Text in English and French.
Contesting Performance: Global Sites of Research
A collection of essays by international scholars that addresses the global development of performance research in the late twentieth and early twenty-first centuries. The collection functions as a critical reader on diverse approaches to studying performance that contest dominant paradigms of performance studies.
